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" My father is a poet, my stepmother is a poet, and so I always had encouragement as a child to write. "

Natasha Trethewey

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" As much as we love each other, there is some growing difficulty in my adult relationship with my father. Because we're both writers, we're having a very intimate conversation in a very public forum. "

Natasha Trethewey

" Even though I am the daughter of a poet, and my stepmother is also a poet, growing up, I didn't think I could understand poetry; I didn't think that it had any relevance to my life, the feelings that I endured on a day-to-day basis, until I was introduced to the right poem. "

Natasha Trethewey

" I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else. "

Natasha Trethewey

" I think there is a poem out there for everyone, to be an entrance into the poetry and a relationship with it. "

Natasha Trethewey

" The experience of poetry could bring my mother back to me. Poetry offers a different kind of solace - here on earth. "

Natasha Trethewey

" Isolated and unincorporated, North Gulfport lacked a basic infrastructure: flooding and contaminated drinking water were frequent problems. Although finally incorporated in 1994 - not long after the arrival of the first casino - many of North Gulfport's streets still lack curbs, sidewalks, and gutters. "

Natasha Trethewey

" My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, 'Give and Take,' was about my Aunt Sugar, how I was losing her to her memory loss. "

Natasha Trethewey

" I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that. "

Natasha Trethewey

" When I write notes in my journal, I'm just trying to scribble down as much as possible. Later on, I decide whether to follow some of those first impressions or whether to abandon them. "

Natasha Trethewey

" For a long time, I've been interested in cultural memory and historical erasure. "

Natasha Trethewey

" I overheard things in the Woolworths when I was a child, people saying, 'Oh, poor, little thing,' as if they had some understanding that I was being born biracial into a world that was still very difficult for interracial marriages and biracial children. "

Natasha Trethewey

" I think I felt at some point that I couldn't understand poetry or that it was beyond me or it didn't speak to my experience. I think that was because I hadn't yet found the right poems to invite me in. "

Natasha Trethewey

" The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about. "

Natasha Trethewey

" I find myself frequently introducing myself to someone, saying that, you know, I've grown up black and biracial in the United States. "

Natasha Trethewey

" On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building. "

Natasha Trethewey

" One of two historically African American communities that sprang up along the Mississippi Gulf Coast after emancipation, North Gulfport has always been a place where residents have had fewer civic resources than those extended to other outlying communities. "

Natasha Trethewey

" It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult. "

Natasha Trethewey

" 'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions. "

Natasha Trethewey

" I think poetry's always a kind of faith. It is the kind that I have. "

Natasha Trethewey

" People always want to be on the right side of history; it is a lot easier to say, 'What an atrocity that was' then it is to say, 'What an atrocity this is.' "

Natasha Trethewey

" I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad. "

Natasha Trethewey

" I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it. "

Natasha Trethewey

" My mother and my father divorced during the time that my father was getting his Ph.D. at Tulane. "

Natasha Trethewey

" When you begin to think about the past, you realize how much of it is lost to us. "

Natasha Trethewey

" Often people would mistake me for white when I was younger, and I didn't correct them; there would be a period of time that they just thought I was. "

Natasha Trethewey

" Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage. "

Natasha Trethewey

" When kids look at broccoli, they call it 'little trees,' because they see it not just for the word 'broccoli.' They see it for what it looks like, the image. We, as adults, forget to think like that. We forget to think figuratively and have to be reminded. "

Natasha Trethewey

" Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language. "

Natasha Trethewey

" In the early 1970s in Atlanta, I attended what had formerly been an all-white school but had become a black school after integration and white flight. Perhaps because of this, the teachers created a curriculum that included a focus on African American literature and history year-round, not just in February. "

Natasha Trethewey

" When I was born here in Gulfport in 1966, my parents' interracial marriage was still illegal, and it was very hard to drive around town with my parents, to be out in public with my parents. "

Natasha Trethewey