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" Normally, the action is just a gratuitous thing. In the case of Bourne, he was going to learn about himself in the action scenes. "
Doug Liman
Learn
Himself
Just
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" I think that I learned a studio system prefers a sort of professionalism from the director. "
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System
" I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.' "
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Going
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" I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking. "
Doug Liman
Anything
Filmmaking
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" People don't talk about how hard it is to make a movie. Nobody does. Ever. "
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Nobody
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
Doug Liman
Work
Think
Movies
" All of my fellow directors, I think, would agree that in whatever medium you are working, the challenges and obstacles push them to be more creative. That's the case with VR. "
Doug Liman
Challenges
Creative
Obstacles
" I've been really lucky in terms of the people I've gotten to work with. "
Doug Liman
Terms
People
Really
" At the end of the day, the less money you have, the easier it is to make a movie. "
Doug Liman
End Of The Day
Money
End
" I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. "
Doug Liman
Know
Right
Fault
" The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same. "
Doug Liman
Work
You
Control
" I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts. "
Doug Liman
You
Time
Problems
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
Doug Liman
Process
Budget
Creative
" I like making movies that have some of the qualities of first-person shooter games. That was very important to me for the 'Bourne' franchise. "
Doug Liman
Games
Important
Like
" My family went to the Hamptons, so I understand what happens when a slice of perfect utopia gets overdeveloped, when one way of living is replaced by another. "
Doug Liman
Way
Understand
Perfect
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
Doug Liman
Back
Look
Me
" I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation. "
Doug Liman
Think
Great
Character
" Flying small airplanes is not like being on airlines. "
Doug Liman
Being
Like
Small
" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
Doug Liman
Respect
Friends
Play
" My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.' "
Doug Liman
Grow
California
People
" 'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.' "
Doug Liman
Tomorrow
Hero
Impossible
" I'm really anxious not to repeat what I've done before, to keep pushing and learning. "
Doug Liman
Done
Before
Repeat
" There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it. "
Doug Liman
Weird
Intellectual
Filmmaking
" I started making Super 8-mm films when I was about six years old and just never stopped. It was always just a hobby, but it's one of the few hobbies that can actually become a career. You know what? I think it was my plan from when I was six that this is what I was going to do. "
Doug Liman
Know
Think
You
" A movie like 'Edge of Tomorrow' is so huge and complex - the spectacle and action is all-consuming - and that on its own is enough of a reason for a lot of people to see it. "
Doug Liman
Tomorrow
Action
Edge
" What I really found was that the one similarity between 'Covert Affairs' and 'Fair Game' is a deep love and admiration and fascination with the home life of a spy. "
Doug Liman
Love
Fair
Life
" Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans. "
Doug Liman
Enthusiasm
Fans
Better
" I'm not really in a rush to grow up. "
Doug Liman
Grow
Grow Up
Really
" 'The Wall' doesn't recount a specific soldier's experience in Iraq, but it captures the spirit of many experiences that were shared with me and with Aaron Taylor-Johnson and with John Cena. "
Doug Liman
Spirit
Me
Soldier
" I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard. "
Doug Liman
Easy
Marriage
Identity
" I got in trouble in film school at USC because one of my Super-8 movies there, in the first semester, involved a snowmobile chase scene. I made an action scene, and they were like, 'That wasn't what you were supposed to be doing.' "
Doug Liman
School
You
Action