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" Painting does more than just point to things. The very act of pointing is a value statement. "
Kehinde Wiley
Point
More
Painting
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" Portraits are about revealing aspects of an individual. "
Kehinde Wiley
Portraits
Individual
About
" In the field of aesthetic theory, humans are pattern-seeking creatures. That can be seen in terms of musical structures, patternmaking, even in terms of storytelling and literature. "
Kehinde Wiley
Literature
Storytelling
Aesthetic
" I think the pairing of your material practice with your subject is something that is the constant concern of every artist for time immemorial. "
Kehinde Wiley
Practice
Think
Artist
" If art can be at the service of anything, it's about letting us see a state of grace for those people who rarely get to be able to be seen that way. "
Kehinde Wiley
Way
See
Service
" Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with. "
Kehinde Wiley
Unknown
Sit
Deal
" When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective. "
Kehinde Wiley
Learning
Growing Up
Going
" We all look at the same object in different ways. "
Kehinde Wiley
Look
Different
Ways
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" In the end, what I'm trying to say as a person who does all this travel and fashions these images is that you arrive at an approximate location but never one destination. "
Kehinde Wiley
End
Destination
You
" What you have in my work is one person's path as he travels through the world, and there is no limitation of what is conceivable. "
Kehinde Wiley
Path
You
World
" I've fished everywhere I've traveled. "
Kehinde Wiley
Traveled
Everywhere
" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
" It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting. "
Kehinde Wiley
Painting
Surprise
New York
" I think my life has been transformed by the ability to take things that exist in the world and look at them more closely. I think that's what art does at its best: it allows us to slow down. "
Kehinde Wiley
World
Best
Art
" There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting. "
Kehinde Wiley
You
Cool
Like
" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
Kehinde Wiley
People
Black
Looking
" I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department. "
Kehinde Wiley
Police
Black
Know
" I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me. "
Kehinde Wiley
Painting
Work
Day
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child
" If people looked at me like I was a little different, I would maybe sit next to them, and I would draw. "
Kehinde Wiley
Me
Sit
Little
" So much of the history of painting is the propaganda of self-aggrandizement. "
Kehinde Wiley
Much
History
Painting
" I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level. "
Kehinde Wiley
Remember
Time
Painting
" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible. "
Kehinde Wiley
Push
Beyond
Nation
" Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic. "
Kehinde Wiley
Off
Creepy
Face
" At its best, what art does is, it points to who we as human beings and what we as human beings value. And if Black Lives Matter, they deserve to be in paintings. "
Kehinde Wiley
Matter
Value
Deserve
" My work is a contemporary call to arms. It is time to get our mojo back. To rediscover our true north. "
Kehinde Wiley
True
Work
Time
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at. "
Kehinde Wiley
World
People
Thinking
" My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken. "
Kehinde Wiley
Truth
Style
Painting