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" Social criticism begins with grammar and the re-establishing of meanings. "
Octavio Paz
Grammar
Begins
Criticism
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" We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. "
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Search
Aim
Time
" It has always surprised me that in a world of relations as hard as that of the United States, cordiality constantly springs out like water from an unstanchable fountain. "
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Always
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" Even though the society that Marx foresaw is far from being an historical reality, Marxism has penetrated so deeply in history that we are all Marxists, one way or another, even unknowingly. "
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" Wisdom lies neither in fixity nor in change, but in the dialectic between the two. A constant coming and going: wisdom lies in the momentary. "
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Going
Coming
Lies
" Fixity is always momentary. But how can it always be so? If it were, it would not be momentary - or would not be fixity. "
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How
Were
" In antiquity, a woman might be an object of worship or desire, but never of love. "
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Woman
Worship
Love
" Solitude is the profoundest fact of the human condition. Man is the only being who knows he is alone. "
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Alone
Fact
Human
" Writers, you know, are the beggars of Western society. "
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Know
You
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" In order for sensation to accede to the objectivity of things, it must itself be changed into a thing. The agent of change is language: the sensations are turned into verbal objects. "
Octavio Paz
Objects
Change
Language
" An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index. "
Octavio Paz
More
Censorship
Kind
" The presence and the present of America are a future; our continent is, by its nature, the land which does not exist on its own, but as something which is created and invented. "
Octavio Paz
Own
Present
Nature
" One of the most notable traits of the Mexican's character is his willingness to contemplate horror: he is even familiar and complacent in his dealings with it. "
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Mexican
Complacent
Character
" To be a great painter means to be a great poet: someone who transcends the limits of his language. "
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Limits
Great
Someone
" No one is alone, and each change here brings about another change there. "
Octavio Paz
Each
About
Alone
" Any reflection about poetry should begin, or end, with this question: who and how many read poetry books? "
Octavio Paz
Question
Books
End
" We are condemned to kill time, thus we die bit by bit. "
Octavio Paz
Bit
Time
Thus
" Poems - crystallizations of the universal play of analogy, transparent objects which, as they reproduce the mechanism and the rotary motion of analogy, are waterspouts of new analogies. "
Octavio Paz
Universal
Play
Motion
" The characteristic feature of modernity is criticism: what is new is set over and against what is old, and it is this constant contrast that constitutes the continuity of tradition. "
Octavio Paz
New
Tradition
Over
" If contemporary artists sincerely seek to be original, unique, and new, they should begin by disregarding the notions of originality, individuality, and innovation: they are the cliches of our time. "
Octavio Paz
Innovation
Time
Unique
" Literatures, like trees and plants, are born of a land and in it flourish and die. But literatures, also like plants, may be carried abroad to take root in a foreign soil. "
Octavio Paz
Born
Land
Plants
" In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension. "
Octavio Paz
Own
Decision
Choose
" Words are things, but things which mean. We cannot do away with meaning without doing away with signs, that is, with language itself. Moreover, we would have to do away with the universe. All the things man touches are impregnated with meaning. "
Octavio Paz
Language
Meaning
Words
" A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work. "
Octavio Paz
Fact
New
Reading
" To the poet fated to be a poet, self-expression is as natural and as involuntary as breathing is to us ordinary mortals. "
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Us
Natural
Poet
" The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern. "
Octavio Paz
Language
Minds
Rhetoric
" Sensation is amphibious: at the same time it joins us to and divides us from things. It is the door through which we enter into things but also through which we come out of them and realize that we are not things. "
Octavio Paz
Same
Realize
Door
" Abstract painting seeks to be a pure pictorial language, and thus attempts to escape the essential impurity of all languages: the recourse to signs or forms that have meanings shared by everyone. "
Octavio Paz
Painting
Pure
Language
" Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement. "
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Movement
Analysis
Painting
" All poems say the same thing, and each poem is unique. Each part reproduces the others, and each part is different. "
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Unique
Say
Others
" Perhaps things are not things but words: metaphors, words for other things. "
Octavio Paz
Other
Metaphors
Perhaps