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" The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that. "
Kehinde Wiley
President
Ability
Better
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" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" The reality of Barack Obama being the president of the United States - quite possibly the most powerful nation in the world - means that the image of power is completely new for an entire generation of not only black American kids but every population group in this nation. "
Kehinde Wiley
Powerful
Power
Black
" There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible. "
Kehinde Wiley
Be True
Beautiful
Painting
" I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me. "
Kehinde Wiley
Painting
Work
Day
" There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting. "
Kehinde Wiley
You
Cool
Like
" Portraits are about revealing aspects of an individual. "
Kehinde Wiley
Portraits
Individual
About
" I think it would be really interesting to paint Obama. "
Kehinde Wiley
Paint
Interesting
I Think
" Once I get a project in my head, I start getting really obsessive about it. "
Kehinde Wiley
Get
Once
Start
" There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards. "
Kehinde Wiley
Slavery
Best
Gender
" My interest is in completing an image that is spectacular beyond belief. My fidelity is to the image and the art and not to the bragging rights of making every stroke on every flower. I'm realistic. "
Kehinde Wiley
Flower
Image
Belief
" If people looked at me like I was a little different, I would maybe sit next to them, and I would draw. "
Kehinde Wiley
Me
Sit
Little
" My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked. "
Kehinde Wiley
Age
Art
Painting
" When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art as a provocation. I think I am at my best when I push myself into a place where I don't have all the answers. "
Kehinde Wiley
Best
Myself
Place
" What you have in my work is one person's path as he travels through the world, and there is no limitation of what is conceivable. "
Kehinde Wiley
Path
You
World
" I need to open a restaurant, a big soul food restaurant in Beijing! "
Kehinde Wiley
Food
Big
Restaurant
" Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope. "
Kehinde Wiley
Hope
Changing
Art
" Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. "
Kehinde Wiley
Also
Fashion
Nation
" This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures. "
Kehinde Wiley
Hip-Hop
Performance
Masculinity
" My work is a contemporary call to arms. It is time to get our mojo back. To rediscover our true north. "
Kehinde Wiley
True
Work
Time
" My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken. "
Kehinde Wiley
Truth
Style
Painting
" The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside. "
Kehinde Wiley
Identity
Performance
American
" As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in terms of pop culture and global and social outlook. "
Kehinde Wiley
Culture
See
Street
" I've fished everywhere I've traveled. "
Kehinde Wiley
Traveled
Everywhere
" Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends. "
Kehinde Wiley
Think
Society
Own
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child
" It's sad, the enslavement of the black underclass to designer labels - we're an age that cares more about Versace than Vermeer. "
Kehinde Wiley
Black
Cares
Age
" When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy. "
Kehinde Wiley
About
Favourite
Thought
" The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at. "
Kehinde Wiley
World
People
Thinking
" You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative. "
Kehinde Wiley
Colour
People
You
" What's interesting about the 21st century is how people deal with cultural history. We don't necessarily feel like there are discrete categories. We consume it as a complete package, whether it's down the street or on the other side of the globe. "
Kehinde Wiley
Interesting
Street
History