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" The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside. "
Kehinde Wiley
Identity
Performance
American
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" In the field of aesthetic theory, humans are pattern-seeking creatures. That can be seen in terms of musical structures, patternmaking, even in terms of storytelling and literature. "
Kehinde Wiley
Literature
Storytelling
Aesthetic
" At its best, what art does is, it points to who we as human beings and what we as human beings value. And if Black Lives Matter, they deserve to be in paintings. "
Kehinde Wiley
Matter
Value
Deserve
" As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in terms of pop culture and global and social outlook. "
Kehinde Wiley
Culture
See
Street
" Painting has the ability to communicate something about the sitter that gets to his essence. "
Kehinde Wiley
Ability
Essence
Painting
" My work is a contemporary call to arms. It is time to get our mojo back. To rediscover our true north. "
Kehinde Wiley
True
Work
Time
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world. "
Kehinde Wiley
Love
History
Myself
" The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at. "
Kehinde Wiley
World
People
Thinking
" The reality of Barack Obama being the president of the United States - quite possibly the most powerful nation in the world - means that the image of power is completely new for an entire generation of not only black American kids but every population group in this nation. "
Kehinde Wiley
Powerful
Power
Black
" My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world. "
Kehinde Wiley
Much
World
Production
" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
Kehinde Wiley
People
Black
Looking
" There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible. "
Kehinde Wiley
Be True
Beautiful
Painting
" It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting. "
Kehinde Wiley
Painting
Surprise
New York
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child
" In a sense, we are all victims of the misogyny and racism that exist in the world, no matter what our gender or race happens to be. "
Kehinde Wiley
World
Matter
Our
" In America , there's a just-add-water reality TV world in which people expect to get their Warholian 15 minutes of fame. "
Kehinde Wiley
World
America
Fame
" Art in the age of the digital image is completely different from experiencing art in physical form. "
Kehinde Wiley
Art
Image
Digital
" If art can be at the service of anything, it's about letting us see a state of grace for those people who rarely get to be able to be seen that way. "
Kehinde Wiley
Way
See
Service
" Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with. "
Kehinde Wiley
Unknown
Sit
Deal
" Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends. "
Kehinde Wiley
Friends
Know
Light
" At the core, every artist, no matter what his subject matter happens to be, has to be someone doing the looking. I began to really interrogate the act of looking. "
Kehinde Wiley
Doing
Artist
Looking
" What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture. "
Kehinde Wiley
Try
Picture
High
" So much of the history of painting is the propaganda of self-aggrandizement. "
Kehinde Wiley
Much
History
Painting
" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
Kehinde Wiley
Rules
More
Moments
" I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my entire life to be able to see the world, to respond to it, and make that my life's work. "
Kehinde Wiley
World
Life
Painting
" I thought I'd be a chef by night and paint by day. Now I just have fabulous dinner parties. "
Kehinde Wiley
Chef
Day
Thought
" My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken. "
Kehinde Wiley
Truth
Style
Painting
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" The way we think about a presidential portrait is one that is imbued with dignity from the outset. "
Kehinde Wiley
About
Dignity
Portrait
" When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy. "
Kehinde Wiley
About
Favourite
Thought