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" Painting has the ability to communicate something about the sitter that gets to his essence. "
Kehinde Wiley
Ability
Essence
Painting
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" Painting is about the world that we live in. Black men live in the world. My choice is to include them. "
Kehinde Wiley
Men
Live
About
" The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside. "
Kehinde Wiley
Identity
Performance
American
" I think my life has been transformed by the ability to take things that exist in the world and look at them more closely. I think that's what art does at its best: it allows us to slow down. "
Kehinde Wiley
World
Best
Art
" Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic. "
Kehinde Wiley
Off
Creepy
Face
" Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends. "
Kehinde Wiley
Think
Society
Own
" The way we think about a presidential portrait is one that is imbued with dignity from the outset. "
Kehinde Wiley
About
Dignity
Portrait
" There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible. "
Kehinde Wiley
Be True
Beautiful
Painting
" I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department. "
Kehinde Wiley
Police
Black
Know
" The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it. "
Kehinde Wiley
Imagination
Work
Play
" There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting. "
Kehinde Wiley
You
Cool
Like
" When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy. "
Kehinde Wiley
About
Favourite
Thought
" At its best, what art does is, it points to who we as human beings and what we as human beings value. And if Black Lives Matter, they deserve to be in paintings. "
Kehinde Wiley
Matter
Value
Deserve
" Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with. "
Kehinde Wiley
Unknown
Sit
Deal
" As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in terms of pop culture and global and social outlook. "
Kehinde Wiley
Culture
See
Street
" Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. "
Kehinde Wiley
Also
Fashion
Nation
" I grew up in this weird, educationally elite but economically impoverished environment. Total 'Oprah' story. "
Kehinde Wiley
Elite
Environment
Up
" In the field of aesthetic theory, humans are pattern-seeking creatures. That can be seen in terms of musical structures, patternmaking, even in terms of storytelling and literature. "
Kehinde Wiley
Literature
Storytelling
Aesthetic
" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world. "
Kehinde Wiley
Love
History
Myself
" I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture. "
Kehinde Wiley
Art
Looking
History
" The language of the heroic is something that has evolved over time. "
Kehinde Wiley
Over
Heroic
Language
" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
Kehinde Wiley
People
Black
Looking
" It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting. "
Kehinde Wiley
Painting
Surprise
New York
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" I think the pairing of your material practice with your subject is something that is the constant concern of every artist for time immemorial. "
Kehinde Wiley
Practice
Think
Artist
" What's interesting about the 21st century is how people deal with cultural history. We don't necessarily feel like there are discrete categories. We consume it as a complete package, whether it's down the street or on the other side of the globe. "
Kehinde Wiley
Interesting
Street
History
" In the end, what I'm trying to say as a person who does all this travel and fashions these images is that you arrive at an approximate location but never one destination. "
Kehinde Wiley
End
Destination
You
" When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective. "
Kehinde Wiley
Learning
Growing Up
Going