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" I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films. "
Henry Selick
Love
Think
People
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" Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely, there'd be no point in it. "
Henry Selick
No Point
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" You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect. "
Henry Selick
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" Making 'Coraline' was one of the great filmmaking experiences of my life. "
Henry Selick
Great
Filmmaking
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" Very few people have made the transition from animation to live-action; I'm certainly not one. "
Henry Selick
People
Made
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" I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters. "
Henry Selick
Age
Young
Spirits
" What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm. "
Henry Selick
Page
Toys
Fairy
" We are suffering from a glut of too many 3-D movies and not enough screens. "
Henry Selick
Suffering
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" Every kid has a toy that they believe is their best friend, that they believe communicates with them, and they imagine it being alive, their toy horse or car or whatever it is. Stop-motion is the only medium where we literally can make a toy come to life, an actual object. "
Henry Selick
Best
Best Friend
Car
" Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go. "
Henry Selick
Saying
Mean
Go
" In all animation, if it's done quickly, you'll know it. And if you're very slow and careful with it, it's going to look a little more beautiful. It's just compressing time into seconds. "
Henry Selick
Time
You
Know
" 'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film. "
Henry Selick
Film
Action
Book
" While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do. "
Henry Selick
See
Barely
Got
" Underneath this tired, middle-aged exterior, I'm an 11 year old kid. "
Henry Selick
Year
Kid
Tired
" There's very few people who want to just make beautiful films that make money, when they can make films that make huge money. "
Henry Selick
Just
Beautiful
Want
" Kids love to be scared - there's way to do it right, and ways to do it wrong. "
Henry Selick
Right
Wrong
Way
" Nobody does animation better than Disney; it's just that some of us wanted out of the box. Burton was one. I was another. We were the mutual complaint society. "
Henry Selick
Nobody
Society
Box
" I learned my lesson that in the live-action world, you have to earn the support of people over a very, very long time. And in animation, I already have the support. "
Henry Selick
Long
People
Support
" I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet. "
Henry Selick
Me
Creative
Creativity
" Kids love to be scared; we all do. But there's a difference between leaving them hanging out there, with their fears, and then bringing them safely home. Kids love it when someone like them stands up against real evil, something really horrendous and frightening, and win. "
Henry Selick
Someone
Leaving
Home
" I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire. "
Henry Selick
Horror
Humor
Looking
" There's always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It's exciting to see. "
Henry Selick
Motion
YouTube
Time
" When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making. "
Henry Selick
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Up
You
" Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG. "
Henry Selick
You
Magic
Little
" Cyclops, that's like this primal fear. I had dreams for years that the Cyclops was a small creature living in our huge fish tank at home, and at night, it was going to grow to full size and come after me. "
Henry Selick
Small
Fish
Dreams
" I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win. "
Henry Selick
She
Think
Win
" My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that. "
Henry Selick
Work
Father
Me
" People are very harsh critics of animated humans. "
Henry Selick
Critics
Very
People
" If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. "
Henry Selick
Drawing
Too
You
" Morals always sound like cliches, but usually cliches are based on things that are ultimate truths. Be grateful for what you have; appreciate what's right there in front of you. "
Henry Selick
You
Right
Appreciate
" I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters. "
Henry Selick
You
Small
Think