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" What we're doing for another person is more important than what we're feeling for them. "
Michael Haneke
Feeling
Doing
More
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" There is just as much evil in all of us as there is good. We're all continuously guilty, even if we're not doing it intentionally to be evil. Here we are sitting in luxury hotels, living it up on the the backs of others in the third world. We all have a guilty conscience, but we do very little about it. "
Michael Haneke
Doing
World
Living
" There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us. "
Michael Haneke
Recognition
Laughter
Yourself
" Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms. "
Michael Haneke
New
Healthy
Everyone
" When my first film 'The Seventh Continent' was presented here 12 years ago, non-Austrian spectators would come up to me and say, 'Is Austria that terrible?', whereas for me it wasn't about Austria but about highly industrialised cultures everywhere. "
Michael Haneke
Cultures
Me
Here
" I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images. "
Michael Haneke
Audience
Watch
Film
" On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light. "
Michael Haneke
Keep
Light
Soup
" Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is. "
Michael Haneke
Answer
Cinema
Home
" At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him. "
Michael Haneke
Like
Flight
Film
" I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug. "
Michael Haneke
Me
Art
Look
" To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup. "
Michael Haneke
Me
You
Know
" Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different. "
Michael Haneke
Inevitable
Know
Feel
" It's a disease of critics that once they've labeled someone, it's very hard to change their perspective. It's laziness. "
Michael Haneke
Someone
Change
Perspective
" Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society. "
Michael Haneke
Violence
You
Trying
" I'm far more relaxed with German. I'm a control freak. I like to know exactly who's saying and doing what. "
Michael Haneke
Doing
Control
Know
" An artist is someone who should raise questions rather than give answers. I have no message. "
Michael Haneke
Answers
Questions
Who
" It's unbearable when someone changes around you. Just imagine that your life partner changes, then it is difficult to cope with. Or your mother. Or your father. They were strong and now they're like a baby - it's not so funny. "
Michael Haneke
Funny
Mother
You
" I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form. "
Michael Haneke
People
Art
Cinema
" I try to get closer to reality, to get close to the contradictions. The cinema world can be a real world rather than a dream world. "
Michael Haneke
Try
World
Real
" People expect me to be dark and gloomy, then write that I'm a jolly chap, and after all, that is what I am. I think it's a case of an absolute romantic naivety that there should be a parallel between the work and the artist. "
Michael Haneke
I Am
People
Romantic
" A feature film is twenty-four lies per second. "
Michael Haneke
Feature
Film
Twenty-Four
" All movies assault the viewer in one way or another. "
Michael Haneke
Assault
One Way
Way
" And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes. "
Michael Haneke
Parents
Romantic
Own
" In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself. "
Michael Haneke
Work
Trying
Comfort
" When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable. "
Michael Haneke
Violence
Funny
Cinema
" As a European filmmaker, you can not make a genre film seriously. You can only make a parody. "
Michael Haneke
Genre
Make
You
" It's harder to write a story with just two people in a room than with 50 characters. "
Michael Haneke
Write
Two
People
" You'll see more violence in any television crime series than you will in my films... Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing. "
Michael Haneke
Violence
Name
Television
" As a private person, professionally I am invisible. "
Michael Haneke
Person
I Am
Invisible
" Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film. "
Michael Haneke
Film
You
Good
" It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger. "
Michael Haneke
Unexpected
Perception
People