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" What's called a difficult decision is a difficult decision because either way you go there are penalties. "
Elia Kazan
Go
Way
Decision
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" The Communists automatically violated the daily practices of democracy to which I was accustomed. "
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Which
Daily
" Anybody who informs on other people is doing something disturbing and even disgusting. "
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Disturbing
People
Something
" Our relationship was cursed by the fact that we agreed on everything. "
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Our
" I was taken in by what might be called the Hard Times version of the Communists' advertising or recruiting technique. "
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Version
Hard
Advertising
" I wouldn't go up on a stage now if you paid a thousand dollars for one minute of acting. It's a nasty experience. You're up there all by yourself. You're so damn exposed. "
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Acting
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Yourself
" I didn't have that much confidence. Maybe it looks that way. I'm glad it does. "
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Way
Confidence
Glad
" You have no idea how fragile an actor's self-worth is. "
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Actor
Self-Worth
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" I was very intense. I think it's a privilege to be an actor. "
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Think
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" Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit. "
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Waiting
Death
He
" I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest. "
Elia Kazan
Tell
Spy
Time
" I used to spend most of my time straining to be a nice guy so people would like me. "
Elia Kazan
Like
Me
Nice
" I was always a self-conscious person. "
Elia Kazan
Person
Always
Self-Conscious
" I was not what you'd call a first-class actor, but I did all right. "
Elia Kazan
Call
Did
Right
" When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on. "
Elia Kazan
Reach
Hell
You
" I want to thank the Academy for its courage and generosity. "
Elia Kazan
Courage
Want
Generosity
" I was even superior to the Communists and when they didn't go along with me, I quit them. "
Elia Kazan
Superior
Quit
Me
" I like directors who come on the set and create something that's a little dangerous, difficult or unusual. "
Elia Kazan
Difficult
Dangerous
Come
" Hey, you must be doin' good, 'cause I never hear from you. "
Elia Kazan
You
Never
Hey
" The writer, when he is also an artist, is someone who admits what others don't dare reveal. "
Elia Kazan
Someone
Others
Dare
" I'm small, but I'm neither compliant nor agreeable. "
Elia Kazan
Compliant
Nor
Agreeable
" Every picture that is successful has one little miracle in it. "
Elia Kazan
Miracle
Picture
Little
" I was an outsider... but I was also sympathetic with people that were struggling to get up, because I struggled to get up. "
Elia Kazan
Because
Were
Up
" Very often the Group actor is a critic when he's acting and an actor when he's criticizing. "
Elia Kazan
Critic
Acting
Actor
" I was both very successful and very left; the living demonstration of how you could be on the left and still be in the gossip columns and be envied for the money you made. "
Elia Kazan
You
Gossip
Living
" I will say nothing to an actor that cannot be translated into action. "
Elia Kazan
Say
Nothing
Actor
" The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end. "
Elia Kazan
World
Red
Me
" I said to Tennessee, this thing is becoming the Marlon Brando show. "
Elia Kazan
Show
Said
Becoming
" The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it. "
Elia Kazan
People
Together
Escape
" I'm going to make a film where not one word is really important. I'm going to make it all action. "
Elia Kazan
Important
Film
Action
" I owe Bankhead a gift; she made a director out of me. "
Elia Kazan
Director
Made
Me