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" With the dramatic canvas, I found you could still operate with the documentarist's observational eye. "
Paul Greengrass
You
Canvas
Dramatic
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" I don't want to feel what I'm creating on film has an outcome that is preordained. I don't think of the world as a place with a divinity that shapes our end. What you try to do with film is create, as far as you possibly can, an unfolding present - a theatre in which an outcome happens and is tested. "
Paul Greengrass
Place
End
Theatre
" I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is. "
Paul Greengrass
Men
Political
Politics
" Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that. "
Paul Greengrass
Gamble
More
Small
" All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it. "
Paul Greengrass
You
Kind
Film
" The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean. "
Paul Greengrass
Think
Know
Best
" It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. "
Paul Greengrass
Lie
Moment
Powerful
" With a franchise movie, it's got to turn the wheels of the industry, and the studio has to have them. So you start with a release date. They say we're going to make a new 'Bourne' film, and it comes out summer of X. Then they start on a script, and invariably, the script is not ready in time. "
Paul Greengrass
Start
They Say
Time
" One of the things that makes the Bourne movies so exciting, I think, is you do get to go on a journey. Generally, through the franchise, that journey is in Europe. "
Paul Greengrass
Journey
Through
Think
" Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too. "
Paul Greengrass
Too
Bright
Horror
" I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night. "
Paul Greengrass
Back
Fly
Monday
" It's a circus life, the movies. It's a lot of travelling, a lot of antisocial hours; there's a lot of it that's about escaping from life. "
Paul Greengrass
Travelling
Circus
Life
" I just don't get on with institutions. I need simple relationships with people who believe in me. "
Paul Greengrass
Believe
People
Simple
" I am interested in seeing if you can create on film pieces that feel contemporary and urgent. "
Paul Greengrass
Seeing
I Am
Film
" Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress. "
Paul Greengrass
Time
Stress
Movies
" Speaking personally as a filmmaker, I think encoded in Bond are a series of values about Britain, about the world, about masculinity, about power, about the empire that I don't share. Quite the reverse. Whereas in Bourne, I think encoded is much more scepticism. There's an us and a them, and Bourne is an us, whereas Bond is working for them. "
Paul Greengrass
World
Values
Think
" What attracts me to Bourne's world is that is a real world, and I think I'm most comfortable there. But I come to a Bourne movie to have fun as a filmmaker, to strut my stuff, and that's part of the fun of franchise filmmaking. "
Paul Greengrass
Think
World
Fun
" Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. "
Paul Greengrass
Journey
Acting
End
" Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique. "
Paul Greengrass
Learn
You
Camera
" Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom. "
Paul Greengrass
Remembering
Wisdom
Difficult
" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "
Paul Greengrass
Trying
Understand
World
" Why are people saying it's too soon? Like the people on that flight, we need to agree about what to do about terrorism. And I think we need to have that conversation now. "
Paul Greengrass
Now
People
Saying
" Acting is many things, and one is an exercise of will. In any given scene, you're trying to find where the drama and conflict is and then deploy the actors to play at that point of conflict with precision, control, and complete will. "
Paul Greengrass
You
Acting
Conflict
" Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine. "
Paul Greengrass
Searching
Matter
Style
" The people who went on that airplane were unexceptional. "
Paul Greengrass
Airplane
Who
Were
" The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view. "
Paul Greengrass
Important
Find
Journey
" Very few people do bad things because they're bad. They generally do bad things because they think they're the right thing to do, but they're misplaced. "
Paul Greengrass
The Right Thing
Think
Bad
" It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental. "
Paul Greengrass
Time
Look
Funny
" Tom Hanks has built his career playing ordinary men. "
Paul Greengrass
Built
Ordinary
Career
" To make a film is eighteen months of your life. It's seven days a week. It's twenty hours a day. "
Paul Greengrass
Life
Day
Days
" I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong. "
Paul Greengrass
Journey
Strong
People