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All Quotes by author - Paul Greengrass
" Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. "
Journey
Acting
End
" Acting is many things, and one is an exercise of will. In any given scene, you're trying to find where the drama and conflict is and then deploy the actors to play at that point of conflict with precision, control, and complete will. "
You
Acting
Conflict
" Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake. "
Action
Through
Own
" All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it. "
You
Kind
Film
" Deep down, all directors feel like frauds - because it's built into the nature of the job. You're the jack of all trades and the master of none. The cameraman knows the camera, the sound man knows the sound equipment - and you? You can't do anything: You can't do the acting, you can't dress the set, you don't record the sound or shoot the images. "
Camera
Nature
Deep
" Directing is all tied up with childhood loneliness. It's such an odd thing to end up doing. "
End
Childhood
Up
" Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique. "
Learn
You
Camera
" I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to you. It's trial and error and disappointment before you find, slowly but surely, the confidence to express your film-making identity. "
Confidence
Identity
Disappointment
" I am interested in seeing if you can create on film pieces that feel contemporary and urgent. "
Seeing
I Am
Film
" I'd always suspected my face wouldn't fit in drama departments. And it never did! "
Face
Never
Fit
" I don't storyboard like some. I mean, all directors are different. I plan meticulously - really meticulously. "
Some
Mean
Different
" I don't want to feel what I'm creating on film has an outcome that is preordained. I don't think of the world as a place with a divinity that shapes our end. What you try to do with film is create, as far as you possibly can, an unfolding present - a theatre in which an outcome happens and is tested. "
Place
End
Theatre
" I just don't get on with institutions. I need simple relationships with people who believe in me. "
Believe
People
Simple
" I'll always see myself as a British filmmaker, powerfully so. "
British
See
Myself
" I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong. "
Journey
Strong
People
" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "
Trying
Understand
World
" In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real. "
Drama
Feel
Create
" I prize something that feels authentic. It's an undefinable thing, but I know it when I see it, and I think audiences do, too. One of the reasons why 'Bloody Sunday' and 'United 93' work is because they felt real, felt truthful. "
Why
Think
Sunday
" I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night. "
Back
Fly
Monday
" I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think. "
Darkness
Mistake
Courage
" It's a circus life, the movies. It's a lot of travelling, a lot of antisocial hours; there's a lot of it that's about escaping from life. "
Travelling
Circus
Life
" It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental. "
Time
Look
Funny
" It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. "
Lie
Moment
Powerful
" I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is. "
Men
Political
Politics
" Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that. "
Gamble
More
Small
" Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress. "
Time
Stress
Movies
" My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion. "
Energy
Storytelling
Rhythm
" No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective. "
Truth Is
Vision
World
" One of the things that makes the Bourne movies so exciting, I think, is you do get to go on a journey. Generally, through the franchise, that journey is in Europe. "
Journey
Through
Think
" Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom. "
Remembering
Wisdom
Difficult
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