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" Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom. "

Paul Greengrass

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" I'll always see myself as a British filmmaker, powerfully so. "

Paul Greengrass

" Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake. "

Paul Greengrass

" With a franchise movie, it's got to turn the wheels of the industry, and the studio has to have them. So you start with a release date. They say we're going to make a new 'Bourne' film, and it comes out summer of X. Then they start on a script, and invariably, the script is not ready in time. "

Paul Greengrass

" Directing is all tied up with childhood loneliness. It's such an odd thing to end up doing. "

Paul Greengrass

" I don't want to feel what I'm creating on film has an outcome that is preordained. I don't think of the world as a place with a divinity that shapes our end. What you try to do with film is create, as far as you possibly can, an unfolding present - a theatre in which an outcome happens and is tested. "

Paul Greengrass

" I'd always suspected my face wouldn't fit in drama departments. And it never did! "

Paul Greengrass

" Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that. "

Paul Greengrass

" The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view. "

Paul Greengrass

" Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique. "

Paul Greengrass

" My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion. "

Paul Greengrass

" I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think. "

Paul Greengrass

" I am interested in seeing if you can create on film pieces that feel contemporary and urgent. "

Paul Greengrass

" It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. "

Paul Greengrass

" I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to you. It's trial and error and disappointment before you find, slowly but surely, the confidence to express your film-making identity. "

Paul Greengrass

" Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine. "

Paul Greengrass

" I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night. "

Paul Greengrass

" Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. "

Paul Greengrass

" Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress. "

Paul Greengrass

" In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real. "

Paul Greengrass

" When you think of the Cold War, there are various places where you imagine espionage. Espionage crossroads of the Cold War bring you to the backstreets of Berlin, or Vienna. "

Paul Greengrass

" Some filmmakers are more eclectic than others. I'm not one of those! I'm interested in what I'm interested in, which is films about the world, about what's going on. I started in TV documentaries with 'World in Action,' and those interests feed into the films I make now. "

Paul Greengrass

" To make a film is eighteen months of your life. It's seven days a week. It's twenty hours a day. "

Paul Greengrass

" All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it. "

Paul Greengrass

" Why are people saying it's too soon? Like the people on that flight, we need to agree about what to do about terrorism. And I think we need to have that conversation now. "

Paul Greengrass

" One of the things that makes the Bourne movies so exciting, I think, is you do get to go on a journey. Generally, through the franchise, that journey is in Europe. "

Paul Greengrass

" Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too. "

Paul Greengrass

" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "

Paul Greengrass

" Acting is many things, and one is an exercise of will. In any given scene, you're trying to find where the drama and conflict is and then deploy the actors to play at that point of conflict with precision, control, and complete will. "

Paul Greengrass

" The one mistake you must never make is to agree to make a film or sign on to film that you don't believe in. Most importantly because it's unfair on that. It's not about you; it's just not fair on that project because you're doing it a profound disservice because you're not serving it - you're uncommitted, ultimately. "

Paul Greengrass

" The people who went on that airplane were unexceptional. "

Paul Greengrass