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" You know, essentially when you do a play you're reinterpreting a work of art that already exists. That's not what happens with a movie. "
Sydney Pollack
Art
Work
Happens
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" Burt Lancaster was largely responsible for me becoming a director. "
Sydney Pollack
Becoming
Responsible
Me
" I am not a cult director at all. I make Hollywood movies. "
Sydney Pollack
Cult
Hollywood
Movies
" If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form. "
Sydney Pollack
People
Wonder
Think
" All the movies I've made are essentially character-driven movies about people that I'm interested in. "
Sydney Pollack
Interested
People
Movies
" I hate to say it as a pejorative term, but I work for the Hollywood system for the most part. "
Sydney Pollack
System
Hollywood
Most
" It's impossible for me to go into a room or look at a location without a part of my brain photographing it - picking the best angle or looking at the way the light hits. "
Sydney Pollack
Brain
Best
Impossible
" I haven't broken any new ground in the form of a film. "
Sydney Pollack
Form
New
Film
" You can't trust your memory. You change it to suit yourself. "
Sydney Pollack
Trust
Yourself
Change
" There isn't a studio in the world that wouldn't burn half its soundstages to get a Tom Cruise movie. "
Sydney Pollack
World
Half
Get
" In terms of level of difficulty, it would go comedy, thriller, and then romantic drama. "
Sydney Pollack
Romantic
Comedy
Go
" Before I saw 'Tootsie' with an audience, I thought, 'No one is going to believe this could convince anyone he's a woman.' "
Sydney Pollack
Thought
Audience
Believe
" Kubrick and I were pretty good friends. "
Sydney Pollack
Pretty
Friends
Good
" You don't normally do another presentation of All About Eve. You do one All About Eve, and that's it. "
Sydney Pollack
Presentation
About
Another
" I don't get nervous talking about my films, but if I'm the subject, it's hard. "
Sydney Pollack
Subject
Get
Hard
" But, I've made films in Japan, in Yugoslavia, all over Europe, all over the United States, Mexico, but not Hollywood. "
Sydney Pollack
United States
Hollywood
Mexico
" Film is a collective experience, as you know. "
Sydney Pollack
Film
You
Collective
" The essence to me of all good drama is argument. "
Sydney Pollack
Good
Argument
Drama
" I fly an aeroplane, and I think a lot about how much I do not want ever to run into an optimistic air traffic controller. I just don't. I want a guy down there who's just waiting for the worst crash possible and petrified that it's going to happen on his watch. And then I feel safe flying into his territory. "
Sydney Pollack
Fly
Flying
Feel
" The very reasons sometimes that you make a film are the reasons for its failure. "
Sydney Pollack
Sometimes
Reasons
Film
" By that I mean, I think that it is true that politics and political heroes have to satisfy our need to be greater than mortal in some way, and that's led them into creating illusions, sound bites, focus groups that tell you what to do. "
Sydney Pollack
Politics
Political
Think
" If you list the qualities that we consider feminine, they are patience, understanding, empathy, supportiveness, a desire to nurture. Our culture tells us those are feminine traits, but they're really just human. "
Sydney Pollack
Empathy
Patience
Culture
" I've always thought of Denys Finch Hatton as a combination of Hubbell Gardner from 'The Way We Were' and Jeremiah Johnson. He is this ultimate individualist. "
Sydney Pollack
He
Always
Ultimate
" Well, I was born and raised in the Midwest, in Indiana specifically, and my childhood was full of weekend movies, you know, the Saturday and Sunday popcorn movies. "
Sydney Pollack
Sunday
Childhood
Weekend
" I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them. "
Sydney Pollack
Admire
Great
Style
" I do not have a good control of running sight gags. I laugh like hell when I see them, but I don't know how to invent those jokes. "
Sydney Pollack
Hell
Laugh
Sight
" When you first start out, you want to be Fellini, or you want to be Bergman. "
Sydney Pollack
Out
Bergman
Start
" Compliments aren't really a journalistic angle. "
Sydney Pollack
Journalistic
Really
Angle
" If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture. "
Sydney Pollack
Light
People
Time
" We progress by leaps and bounds technologically, medically - we can live longer, we can... but you know, in the year 1230, they knew as much as we know now about the human heart. "
Sydney Pollack
Heart
Know
Live
" I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people. "
Sydney Pollack
People
Minds
You