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" I'd always suspected my face wouldn't fit in drama departments. And it never did! "
Paul Greengrass
Face
Never
Fit
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" I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is. "
Paul Greengrass
Men
Political
Politics
" No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective. "
Paul Greengrass
Truth Is
Vision
World
" The one mistake you must never make is to agree to make a film or sign on to film that you don't believe in. Most importantly because it's unfair on that. It's not about you; it's just not fair on that project because you're doing it a profound disservice because you're not serving it - you're uncommitted, ultimately. "
Paul Greengrass
Believe
You
Mistake
" I prize something that feels authentic. It's an undefinable thing, but I know it when I see it, and I think audiences do, too. One of the reasons why 'Bloody Sunday' and 'United 93' work is because they felt real, felt truthful. "
Paul Greengrass
Why
Think
Sunday
" Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine. "
Paul Greengrass
Searching
Matter
Style
" Tom Hanks has built his career playing ordinary men. "
Paul Greengrass
Built
Ordinary
Career
" This new global economy, it's all based on the sea routes. "
Paul Greengrass
Sea
Based
New
" I just don't get on with institutions. I need simple relationships with people who believe in me. "
Paul Greengrass
Believe
People
Simple
" Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too. "
Paul Greengrass
Too
Bright
Horror
" I don't want to feel what I'm creating on film has an outcome that is preordained. I don't think of the world as a place with a divinity that shapes our end. What you try to do with film is create, as far as you possibly can, an unfolding present - a theatre in which an outcome happens and is tested. "
Paul Greengrass
Place
End
Theatre
" Directing is all tied up with childhood loneliness. It's such an odd thing to end up doing. "
Paul Greengrass
End
Childhood
Up
" The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean. "
Paul Greengrass
Think
Know
Best
" To make a film is eighteen months of your life. It's seven days a week. It's twenty hours a day. "
Paul Greengrass
Life
Day
Days
" Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom. "
Paul Greengrass
Remembering
Wisdom
Difficult
" It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. "
Paul Greengrass
Lie
Moment
Powerful
" Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique. "
Paul Greengrass
Learn
You
Camera
" Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake. "
Paul Greengrass
Action
Through
Own
" I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong. "
Paul Greengrass
Journey
Strong
People
" In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real. "
Paul Greengrass
Drama
Feel
Create
" With a franchise movie, it's got to turn the wheels of the industry, and the studio has to have them. So you start with a release date. They say we're going to make a new 'Bourne' film, and it comes out summer of X. Then they start on a script, and invariably, the script is not ready in time. "
Paul Greengrass
Start
They Say
Time
" Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that. "
Paul Greengrass
Gamble
More
Small
" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "
Paul Greengrass
Trying
Understand
World
" I don't storyboard like some. I mean, all directors are different. I plan meticulously - really meticulously. "
Paul Greengrass
Some
Mean
Different
" With the dramatic canvas, I found you could still operate with the documentarist's observational eye. "
Paul Greengrass
You
Canvas
Dramatic
" I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think. "
Paul Greengrass
Darkness
Mistake
Courage
" Some filmmakers are more eclectic than others. I'm not one of those! I'm interested in what I'm interested in, which is films about the world, about what's going on. I started in TV documentaries with 'World in Action,' and those interests feed into the films I make now. "
Paul Greengrass
More
Going
Action
" It's a circus life, the movies. It's a lot of travelling, a lot of antisocial hours; there's a lot of it that's about escaping from life. "
Paul Greengrass
Travelling
Circus
Life
" The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view. "
Paul Greengrass
Important
Find
Journey
" Very few people do bad things because they're bad. They generally do bad things because they think they're the right thing to do, but they're misplaced. "
Paul Greengrass
The Right Thing
Think
Bad
" When you think of the Cold War, there are various places where you imagine espionage. Espionage crossroads of the Cold War bring you to the backstreets of Berlin, or Vienna. "
Paul Greengrass
Bring
Cold
Places