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" In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real. "
Paul Greengrass
Drama
Feel
Create
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" Ultimately, if you look at all my films from 'Bloody Sunday' on, they're steeped in a post-9/11 atmosphere. 'United 93' is directly about 9/11, of course, but every one of the movies deals with paranoia, mistrust, and fear. "
Paul Greengrass
Fear
Deals
Look
" I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think. "
Paul Greengrass
Darkness
Mistake
Courage
" Tom Hanks has built his career playing ordinary men. "
Paul Greengrass
Built
Ordinary
Career
" Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. "
Paul Greengrass
Journey
Acting
End
" With the dramatic canvas, I found you could still operate with the documentarist's observational eye. "
Paul Greengrass
You
Canvas
Dramatic
" I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night. "
Paul Greengrass
Back
Fly
Monday
" Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine. "
Paul Greengrass
Searching
Matter
Style
" This new global economy, it's all based on the sea routes. "
Paul Greengrass
Sea
Based
New
" Why are people saying it's too soon? Like the people on that flight, we need to agree about what to do about terrorism. And I think we need to have that conversation now. "
Paul Greengrass
Now
People
Saying
" I prize something that feels authentic. It's an undefinable thing, but I know it when I see it, and I think audiences do, too. One of the reasons why 'Bloody Sunday' and 'United 93' work is because they felt real, felt truthful. "
Paul Greengrass
Why
Think
Sunday
" Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that. "
Paul Greengrass
Gamble
More
Small
" I'd always suspected my face wouldn't fit in drama departments. And it never did! "
Paul Greengrass
Face
Never
Fit
" Speaking personally as a filmmaker, I think encoded in Bond are a series of values about Britain, about the world, about masculinity, about power, about the empire that I don't share. Quite the reverse. Whereas in Bourne, I think encoded is much more scepticism. There's an us and a them, and Bourne is an us, whereas Bond is working for them. "
Paul Greengrass
World
Values
Think
" When you think of the Cold War, there are various places where you imagine espionage. Espionage crossroads of the Cold War bring you to the backstreets of Berlin, or Vienna. "
Paul Greengrass
Bring
Cold
Places
" I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong. "
Paul Greengrass
Journey
Strong
People
" It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. "
Paul Greengrass
Lie
Moment
Powerful
" Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress. "
Paul Greengrass
Time
Stress
Movies
" Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake. "
Paul Greengrass
Action
Through
Own
" The one mistake you must never make is to agree to make a film or sign on to film that you don't believe in. Most importantly because it's unfair on that. It's not about you; it's just not fair on that project because you're doing it a profound disservice because you're not serving it - you're uncommitted, ultimately. "
Paul Greengrass
Believe
You
Mistake
" What attracts me to Bourne's world is that is a real world, and I think I'm most comfortable there. But I come to a Bourne movie to have fun as a filmmaker, to strut my stuff, and that's part of the fun of franchise filmmaking. "
Paul Greengrass
Think
World
Fun
" Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom. "
Paul Greengrass
Remembering
Wisdom
Difficult
" I'll always see myself as a British filmmaker, powerfully so. "
Paul Greengrass
British
See
Myself
" I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is. "
Paul Greengrass
Men
Political
Politics
" To make a film is eighteen months of your life. It's seven days a week. It's twenty hours a day. "
Paul Greengrass
Life
Day
Days
" Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too. "
Paul Greengrass
Too
Bright
Horror
" I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to you. It's trial and error and disappointment before you find, slowly but surely, the confidence to express your film-making identity. "
Paul Greengrass
Confidence
Identity
Disappointment
" My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion. "
Paul Greengrass
Energy
Storytelling
Rhythm
" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "
Paul Greengrass
Trying
Understand
World
" The people who went on that airplane were unexceptional. "
Paul Greengrass
Airplane
Who
Were
" I am interested in seeing if you can create on film pieces that feel contemporary and urgent. "
Paul Greengrass
Seeing
I Am
Film