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" 1936 is a very important year: a golden time for martial arts, right before the Japanese invasion. "
Wong Kar-wai
Time
Right
Arts
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" I think, to be a director, sometimes you need to have certain hunches - you have to believe in some gut feeling. "
Wong Kar-wai
Feeling
Gut
Need
" The original title for 'In the Mood for Love' was called 'A Story About Food.' The idea was to tell a love story through different courses. "
Wong Kar-wai
Love
Mood
Original
" My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be. "
Wong Kar-wai
Never
Think
Want
" In most kung fu films, they want to create a hero who's always fighting a bad guy. In the story of Ip Man, he's not fighting physical opponents. He's fighting the ups and downs of his life. "
Wong Kar-wai
Life
Create
Fighting
" I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice. "
Wong Kar-wai
Like
Twice
Think
" Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much. "
Wong Kar-wai
Encouragement
Better
Silence
" What's so great about inspiration is sometimes it finds you when you're not looking. "
Wong Kar-wai
Looking
About
You
" When you look at martial arts films, the later ones became more and more exaggerated. It's like, wow, is martial arts only a show? "
Wong Kar-wai
Arts
Look
Like
" I'm a big fan of martial arts films, novels and radio programs. "
Wong Kar-wai
Radio
Arts
Big
" To me, romantic means, um, you follow your heart more than your mind. Sometimes when you're shooting a film, you have to follow your heart. "
Wong Kar-wai
Heart
Follow
Mind
" I was born in Shanghai and moved to Hong Kong the year I was five. "
Wong Kar-wai
Hong Kong
Five
Year
" After the Revolution in '49, all the films were propaganda. They serviced the government and carried the message that the government wants to relay to the people. But I think, in the last 10 years, because the film market is opening and there's an expansion of all the cinemas in China, it's now a lot like Hollywood productions. "
Wong Kar-wai
Government
Revolution
People
" I never studied film formally at school, but as a kid, I spent most of my time in cinemas. "
Wong Kar-wai
Film
Most
School
" The industry and support in China has really matured because there are so many productions there. At the same time, there's been a lot of changes in the market, which I think also has enabled productions like 'The Grandmaster' to happen and to be possible to shoot in China. "
Wong Kar-wai
Support
Possible
Think
" When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past. "
Wong Kar-wai
Time
Back
Past
" The laboratory where we stored all our negatives went bankrupt overnight following the Asian economic crisis in 1997. So, on short notice, we had to retrieve all the materials in the middle of the night before the debtor-receiver took over the laboratory the next morning. "
Wong Kar-wai
Night
Morning
Crisis
" Sometimes, we have to turn our camera to a mirror to shoot something, and people think, 'Oh, that's very stylish.' Yes it is, but at the same time, we did it because we are shooting in a very small space, and that was our only option. "
Wong Kar-wai
Time
Think
Space
" When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people. "
Wong Kar-wai
Realize
Angels
Look
" I think one day I can make a book about coffee shops in Hong Kong. I spent almost most of my time in coffee shops, in different coffee shops. "
Wong Kar-wai
Coffee
Day
I Can
" For 'Chungking Express,' the way we shot the film was all handheld and with all this existing light, and that became very popular. Everybody thought it was cool. "
Wong Kar-wai
Cool
Way
Shot
" It used to be when you eat, you eat with people. But instant noodles are so instant that people eat by themselves. And it's a very convenient way of eating but also a very lonely way of eating. "
Wong Kar-wai
You
Way
People
" Somehow, we fall in love with the films and don't want to let go, but financially and physically, we cannot afford it. "
Wong Kar-wai
Let Go
Love
Go
" In my first film, we always tried to have a script and work in a normal way, but I was constantly changing things during shooting. Because I worked as a scriptwriter for 10 years, I understood that directors always wanted to change what was originally written, to improve on it. "
Wong Kar-wai
Normal
Film
Change
" Heritage is something martial-arts films don't often talk about. "
Wong Kar-wai
About
Heritage
Often
" It is always good to work with a very regular group of people because we know how high we can fly and what are the parameters, and it becomes very enjoyable. "
Wong Kar-wai
Good
Fly
Group
" I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. "
Wong Kar-wai
You
Dress
Police
" This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences. "
Wong Kar-wai
Difference
Own
Know
" I've always wanted to make a film about the Tong Wars, the rioting and the crime factions in San Francisco's Chinatown in the early part of the last century. "
Wong Kar-wai
Last
Wanted
Early
" I came to Hong Kong when I was five, but we didn't have any relatives in Hong Kong. My mom is a big movie fan, and she watched all kinds of movies, so when I was a kid, basically, we went to watch a movie every day. "
Wong Kar-wai
Mom
Watch
Day
" Because we don't have a lot of light, because we have a very low budget, we have to adjust the speed of our camera to get the effect that we want. So sometimes this is the way we work, and the result of the filming becomes a kind of a style. "
Wong Kar-wai
Work
Style
Speed