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" Almost anything can be justified as a style of filmmaking if it works. "
Doug Liman
Style
Almost
Anything
Related Quotes:
" I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios. "
Doug Liman
Independent
Ethos
Kind
" I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.' "
Doug Liman
Thought
Me
Storytelling
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
Doug Liman
Power
Hero
Movies
" Even more than 'Swingers,' 'Go', for me, defines my career. "
Doug Liman
Than
More
Career
" I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported. "
Doug Liman
You
Away
Been
" I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard. "
Doug Liman
Easy
Marriage
Identity
" I don't really make movies with an intention other than asking myself, 'Do I love the character, and do I love the story?' "
Doug Liman
Movies
Story
Myself
" To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it. "
Doug Liman
Thought
People
Content
" I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him. "
Doug Liman
Day
Men
Love
" Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR. "
Doug Liman
I Am
Trying
Watching
" I'm really interested in real people in extraordinary situations. The detail and reality to that. "
Doug Liman
Detail
Real
Reality
" I've always been interested in giving the audience a first-person experience in my movies. "
Doug Liman
Experience
Giving
Audience
" The one thing about reality is sometimes it gives you material that is wilder than some of your wildest imagination could come up with. "
Doug Liman
Reality
Imagination
Sometimes
" I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood director's short-attention span. "
Doug Liman
Director
Am
Hollywood
" I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out. "
Doug Liman
Treat
Way
Diary
" What I really found was that the one similarity between 'Covert Affairs' and 'Fair Game' is a deep love and admiration and fascination with the home life of a spy. "
Doug Liman
Love
Fair
Life
" When I read the script of 'The Wall,' I saw how much different the war looks from the point of view of a soldier fighting it. "
Doug Liman
Wall
View
War
" So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France. "
Doug Liman
Imagination
Growing Up
Cool
" I like making movies that have some of the qualities of first-person shooter games. That was very important to me for the 'Bourne' franchise. "
Doug Liman
Games
Important
Like
" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
Doug Liman
Respect
Friends
Play
" If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that. "
Doug Liman
Look
You
Time
" With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look. "
Doug Liman
Moments
Control
Challenge
" With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things. "
Doug Liman
Time
Be Different
Experience
" What happened on 'Mr. & Mrs. Smith,' I was given a big budget and given too many choices, and I made a lot of mistakes and missteps early on until I squandered all that extra money. But then, once my back was up against the wall, I made what I consider a really good movie. "
Doug Liman
Early
Choices
Money
" I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. "
Doug Liman
Doing
Efficiency
Fast
" 'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.' "
Doug Liman
Tomorrow
Hero
Impossible
" When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it. "
Doug Liman
Fighting
You
War
" When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise. "
Doug Liman
Identity
Phone
Bond
" I'll just say that there are certain people who continue to be hired in Hollywood, and that leaves me truly shocked. "
Doug Liman
Hollywood
Say
People
" I don't think I'm all that twisted in my life. I'm not like some tattooed filmmaker who, you know, hangs out on the Lower East Side and is part of some satanic cult or something. "
Doug Liman
Life
Think
Twisted