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" I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood director's short-attention span. "
Doug Liman
Director
Am
Hollywood
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" When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise. "
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Phone
Bond
" I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.' "
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Cruise
Going
Like
" Somehow super power and hero are so synonymous that they get combined into one word, 'superhero,' whereas I'm kind of more interested in separating those two ideas out. You have characters with super powers who may or may not be heroic, because human beings aren't all heroic. I tend to be drawn to antiheros. "
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Kind
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You
" I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts. "
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You
Time
Problems
" My older brother took me to Woody Allen double features when I was still teething. "
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Me
Double
Took
" I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were never going to hire me for a 'James Bond' film off 'Swingers.' "
Doug Liman
Going
Bond
Me
" I was a troublemaker. For a long time, I didn't fit in. "
Doug Liman
Fit
Long
Troublemaker
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
Doug Liman
Power
Hero
Movies
" I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation. "
Doug Liman
Think
Great
Character
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately. "
Doug Liman
Tomorrow
Finding
Swimming
" My films have been successful, and therefore, the process has accommodated me. When the studio said 'no,' I did it anyhow. Now they don't say no to me. "
Doug Liman
Me
Successful
Say
" I'm really anxious not to repeat what I've done before, to keep pushing and learning. "
Doug Liman
Done
Before
Repeat
" My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters. "
Doug Liman
Down
Looking
View
" When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all. "
Doug Liman
Father
Home
Serious
" I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out. "
Doug Liman
Treat
Way
Diary
" I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does. "
Doug Liman
Sometimes
Hollywood
Reality
" I have a rebellious nature, and being told no is almost the surest way to get me to do something. "
Doug Liman
Get
Almost
Way
" The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money. "
Doug Liman
People
Money
Heart
" In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. "
Doug Liman
Perfect
Love
Heart
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
Doug Liman
Back
Look
Me
" Being on a commercial airplane is actually one of the safest places you can be on the planet. "
Doug Liman
Being
You
Places
" If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that. "
Doug Liman
Look
You
Time
" A movie like 'Edge of Tomorrow' is so huge and complex - the spectacle and action is all-consuming - and that on its own is enough of a reason for a lot of people to see it. "
Doug Liman
Tomorrow
Action
Edge
" I've been really lucky in terms of the people I've gotten to work with. "
Doug Liman
Terms
People
Really
" In hindsight, everything in my life looks a little rosy. But the reality is that with, say, 'Swingers,' when we finished, it was considered a total failure. "
Doug Liman
My Life
Failure
Life
" If you go to a restaurant with Tom Cruise, it's like walking in with Santa Claus. Everybody is in a better mood because he's there. "
Doug Liman
Restaurant
Walking
Mood
" VR should offer an experience that's more exciting than watching in 2D, and we're pretty good at 2D storytelling, so the bar's already pretty high. "
Doug Liman
Experience
Good
Storytelling
" I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoing something I did before. For some reason, when it comes to film, I'm very good at not repeating myself. Even though in the rest of my life, I'm constantly repeating my mistakes. "
Doug Liman
Good
Mistakes
My Life
" Almost anything can be justified as a style of filmmaking if it works. "
Doug Liman
Style
Almost
Anything