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" I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach. "
Laura van den Berg
Teach
House
Horror
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" Since childhood, I've been a fan of mysteries - 'Nancy Drew' lovers unite! - but 'Vertigo' struck me as an entirely new take on the genre. "
Laura van den Berg
Fan
Childhood
New
" If I leave the fictional world for too long, it's a bit like stepping through a portal, entering another reality, and then not knowing how to get back to where you were before. "
Laura van den Berg
Not Knowing
World
Reality
" Florida is a very idiosyncratic place in a lot of ways - as are many parts of our fine country, but one could say Florida is particularly idiosyncratic. "
Laura van den Berg
Ways
Country
Place
" Publishing at a young age is not really an indicator of talent. "
Laura van den Berg
Talent
Publishing
Young
" I think where a writer falls on the realism/non-realism continuum has a lot to do with their sight, as in, 'This is how I see the world.' And it seems my sight is off-kilter and kind of strange, but I come by that naturally; I'm not consciously pushing toward a particular point on the continuum. "
Laura van den Berg
Think
Sight
See
" If we can think of a place, the physicality of a place, as a kind of 'material,' I would say the landscape of Florida in particular was especially important while writing 'Isle.' "
Laura van den Berg
Landscape
Place
Writing
" I have no problem quitting things, because I have a horror of boredom. "
Laura van den Berg
Problem
Things
Boredom
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She
" As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations. "
Laura van den Berg
Relationship
History
Best
" I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested in how we narrate the places we visit, how the gap between what we see and what we know manifests when we're traveling. "
Laura van den Berg
Culture
Born
Know
" I think my concern is I know my voice, and I know the kinds of landscapes that interest me, so my primary concern is doing the most I can with those voices and those landscapes. "
Laura van den Berg
I Can
Voice
Think
" Ever since I started writing in college, I have, save for a few short breaks here and there, been working away on something. I love it, I need it, and so it never occurred to me to put writing on the back burner. "
Laura van den Berg
Love
Me
Need
" Sometimes we talk about memory as though it's firm and fixed, but of course, memory is highly fluid and subjective and thus highly subject to manipulation. "
Laura van den Berg
Talk
Memory
Manipulation
" Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy. "
Laura van den Berg
Humor
Tragedy
Art
" When I first left Florida for Boston, I was so eager to shed my Floridian identity, perhaps some of my earlier surreal gestures felt hollow and unconvincing because they were not rising from the particular brand of the uncanny I knew best. "
Laura van den Berg
Brand
Identity
Boston
" When I'm between projects, I keep a journal I call a 'thought log,' and it's my practice to write down whatever interests me. "
Laura van den Berg
Journal
Practice
Me
" As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my own work. In this way, dislocation and precision make total sense to me as a unit. "
Laura van den Berg
Work
Quality
Me
" I realized that, for me, travel for work - I'm not speaking so much about travel for pleasure - had actually become a way of avoiding life. "
Laura van den Berg
Pleasure
Way
Work
" I do not work well when I am in living in a cyclone of panic. I reject actively seeking out destabilization and suffering as a creative model. "
Laura van den Berg
Living
Creative
Work
" When I'm absorbed in a work of fiction, time and place melts away, as though I've drifted away from my usual reality and been absorbed into another. "
Laura van den Berg
Been
Away
Reality
" There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately, what I'm most interested in as a writer is a few notches below the private self. "
Laura van den Berg
World
More
Present
" I think writing, or any form of art-making, is a way to prepare for not being here. Not that we can. No amount of preparing can really ready us, in a meaningful way, for the great void that awaits us all. "
Laura van den Berg
Think
Way
Writing
" As we know all too well, our early years are formative in ways it can takes us a lifetime to grasp. Those years leave deep marks; in that way, the stakes of childhood are inherently very high. "
Laura van den Berg
Way
Leave
Childhood
" I think, in a lot of ways, if you really strip down some of the most compelling novels, in a lot of ways, they're detective stories. "
Laura van den Berg
Down
You
Think
" Here's something a little more personal: In my teens, I was having a hard time and ended up in a therapy group of young women, some of whom had endured terrible childhood traumas. "
Laura van den Berg
Time
Childhood
Young
" We're all trying to figure out on a daily basis what kind of person to be, aren't we? I am, at least. "
Laura van den Berg
Person
Kind
I Am
" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Laura van den Berg
Street
Boston
Lived
" I can't write anything if I don't know where it's set, where the events are happening - even if the details of setting are minimal. "
Laura van den Berg
Anything
Events
Know
" If I'm really rolling with a short story, I work on it everywhere and end up with a finished draft in a couple months, but a novel really demands that I step out of my life and vanish into the world of the book. "
Laura van den Berg
Life
World
Work
" I love creating mysteries, but I am terrible at solving them. "
Laura van den Berg
I Am
Creating
Am