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" When I'm between projects, I keep a journal I call a 'thought log,' and it's my practice to write down whatever interests me. "
Laura van den Berg
Journal
Practice
Me
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" The moment when my husband and I clasped hands and turned from our officiant, newly wed, was the most light-filled of my life. "
Laura van den Berg
My Life
Life
Moment
" I think my favorite horror films are really grounded in human psychology, which is to say I think through sort of extreme dislocations of reality. "
Laura van den Berg
Think
Horror
Human
" I think where a writer falls on the realism/non-realism continuum has a lot to do with their sight, as in, 'This is how I see the world.' And it seems my sight is off-kilter and kind of strange, but I come by that naturally; I'm not consciously pushing toward a particular point on the continuum. "
Laura van den Berg
Think
Sight
See
" A collection is, by my lights, a chance to build a universe, an overarching ecosystem. But it's common enough to encounter a hodgepodge instead, where flashes of brilliance are undercut by clunkers. "
Laura van den Berg
Enough
Build
Lights
" Florida is a very idiosyncratic place in a lot of ways - as are many parts of our fine country, but one could say Florida is particularly idiosyncratic. "
Laura van den Berg
Ways
Country
Place
" I think writing, or any form of art-making, is a way to prepare for not being here. Not that we can. No amount of preparing can really ready us, in a meaningful way, for the great void that awaits us all. "
Laura van den Berg
Think
Way
Writing
" My students are often asking me, 'What do you think are the most important qualities for a writer?' And one thing I always tells them is that it's helpful to be willing to sit in a space of uncertainty. There are entire years, especially with novels, where you really don't know where the project is going. "
Laura van den Berg
You
Uncertainty
Think
" I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction. "
Laura van den Berg
Me
You
Work
" Children tell themselves stories, engage in self-delusion and fantasy, but those narratives are more evolving than calcified - and with that malleability comes both freedom and danger. "
Laura van den Berg
Children
Tell
Fantasy
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She
" Children exist in the worlds that adults create for them, both locally and globally, and their options are, by virtue of age, often painfully limited. "
Laura van den Berg
Options
Create
Age
" In the world of the American creative writing workshop, I've encountered teachers who are tempted to place, or have actually placed, a moratorium on child narrators. Students love to write them, but children come laden with complications. "
Laura van den Berg
World
Child
Children
" Whether it's via the monstrous or the paranormal, horror actually can really get at some of the most fundamental human questions. "
Laura van den Berg
Horror
Some
Questions
" The kind of dystopian books that I've always loved the most are the ones where you find yourself in a world that's less scorched-earth and instead a world that has just been made different. "
Laura van den Berg
Yourself
Kind
You
" As for me, I was a lonely kid, with few close friends until I was an adult - even when I might have been perceived as being on the inside, I felt like I was on the outside, kind of like viewing the world through a sheet of glass. "
Laura van den Berg
Kid
World
Me
" I wager we have a vast amount of literature out there that tends to the stories of men, so I've never really worried too much about attending to stories of women. "
Laura van den Berg
Never
Men
Literature
" Early influences included Lorrie Moore, Amy Hempel, Charles Baxter, Richard Ford, Alice Munro, Denis Johnson - writers who are important to me still and who I discovered through my teachers. "
Laura van den Berg
Teachers
Through
Me
" We write in a culture that favors the heft of the novel. Better still if the novel in question is large enough to be wielded interchangeably as a doorstop and a weapon. "
Laura van den Berg
Question
Better
Culture
" I once took a workshop with Jim Shepard, and he has this term, 'rate-of-revelation,' that has come to mean a lot to me: 'the pace at which we're learning crucial emotional information about the stories' central figures.' An ever-increasing rate-of-revelation is good; a stagnant r-of-r is not. "
Laura van den Berg
Good
Learning
Mean
" I love creating mysteries, but I am terrible at solving them. "
Laura van den Berg
I Am
Creating
Am
" As we know all too well, our early years are formative in ways it can takes us a lifetime to grasp. Those years leave deep marks; in that way, the stakes of childhood are inherently very high. "
Laura van den Berg
Way
Leave
Childhood
" I lived in Boston for three years, and during that time, I wrote my first collection of stories, 'What the World Will Look Like When All the Water Leaves Us;' other stories that didn't make it into the collection; and several failed novel openings. "
Laura van den Berg
Three
Look
Boston
" When I first left Florida for Boston, I was so eager to shed my Floridian identity, perhaps some of my earlier surreal gestures felt hollow and unconvincing because they were not rising from the particular brand of the uncanny I knew best. "
Laura van den Berg
Brand
Identity
Boston
" Normally I'm the type who wouldn't bail on a responsibility unless dead on the side of the road, and I believe deeply in the importance of continuing to follow our own paths. "
Laura van den Berg
Believe
Road
Responsibility
" I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach. "
Laura van den Berg
Teach
House
Horror
" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Laura van den Berg
Street
Boston
Lived
" As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations. "
Laura van den Berg
Relationship
History
Best
" Holy cow - everything about writing a novel is hard for me. "
Laura van den Berg
Holy
Cow
Everything
" There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately, what I'm most interested in as a writer is a few notches below the private self. "
Laura van den Berg
World
More
Present
" I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process; subject; ideas and feelings; visions and dreams; the words that are put down and the words that are avoided. "
Laura van den Berg
Ideas
Dreams
Words