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" If we can think of a place, the physicality of a place, as a kind of 'material,' I would say the landscape of Florida in particular was especially important while writing 'Isle.' "
Laura van den Berg
Landscape
Place
Writing
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" Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy. "
Laura van den Berg
Humor
Tragedy
Art
" I'm pretty sure that I've never confessed in an interview my weakness for McDonald's Filet-O-Fish. The cheese is fake. Who knows what that 'fish' really is. It is gross. It is amazing. "
Laura van den Berg
Amazing
Fake
Fish
" Publishing at a young age is not really an indicator of talent. "
Laura van den Berg
Talent
Publishing
Young
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She
" A sense of play is important when I'm writing, and so messing around with, say, a magic routine can feel like play, at least initially. "
Laura van den Berg
Play
Magic
Important
" I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested in how we narrate the places we visit, how the gap between what we see and what we know manifests when we're traveling. "
Laura van den Berg
Culture
Born
Know
" I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction. "
Laura van den Berg
Me
You
Work
" I think we're often guilty of gravitating towards the familiar. Even if we recognize that certain patterns are unsatisfying and destructive, there can still be a comfort in the familiar recognition of a cycle repeating itself. "
Laura van den Berg
Think
Recognition
Guilty
" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Laura van den Berg
Street
Boston
Lived
" As for me, I was a lonely kid, with few close friends until I was an adult - even when I might have been perceived as being on the inside, I felt like I was on the outside, kind of like viewing the world through a sheet of glass. "
Laura van den Berg
Kid
World
Me
" I've had a somewhat typical experience in that many of the contemporary writers I was exposed to early on were white and often male. "
Laura van den Berg
Early
Exposed
Many
" Whether it's via the monstrous or the paranormal, horror actually can really get at some of the most fundamental human questions. "
Laura van den Berg
Horror
Some
Questions
" Florida is a very idiosyncratic place in a lot of ways - as are many parts of our fine country, but one could say Florida is particularly idiosyncratic. "
Laura van den Berg
Ways
Country
Place
" Here's something a little more personal: In my teens, I was having a hard time and ended up in a therapy group of young women, some of whom had endured terrible childhood traumas. "
Laura van den Berg
Time
Childhood
Young
" I think my favorite horror films are really grounded in human psychology, which is to say I think through sort of extreme dislocations of reality. "
Laura van den Berg
Think
Horror
Human
" I've always found the Write-What-You-Know axiom small and stifling. "
Laura van den Berg
Small
Always
Axiom
" In fiction, we are not bound by social convention, so the things that mystify and unsettle are allowed to rise to the surface. "
Laura van den Berg
Rise
Fiction
Social
" Anxiety and doubt are among my biggest struggles as a writer. "
Laura van den Berg
Struggles
Doubt
Anxiety
" I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach. "
Laura van den Berg
Teach
House
Horror
" I love noir, quite obviously. "
Laura van den Berg
Love
Obviously
Noir
" As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations. "
Laura van den Berg
Relationship
History
Best
" The short story has been here and is here and will be here as long as we are. "
Laura van den Berg
Short
Long
Here
" Since childhood, I've been a fan of mysteries - 'Nancy Drew' lovers unite! - but 'Vertigo' struck me as an entirely new take on the genre. "
Laura van den Berg
Fan
Childhood
New
" When I'm working on a short story, I could duck into a bathroom at a crowded party and write a scene, which is to say I can work in a very incremental way. "
Laura van den Berg
Party
Say
Duck
" America loves a good comeback story! "
Laura van den Berg
Comeback
Story
Good
" I've always been most drawn to fiction that wrestles with that death-fear. Sometimes I joke with my students, 'If no one is in danger of dying, I'm not interested,' but of course I'm not really joking. "
Laura van den Berg
Dying
Students
Always
" Culturally, there is often the expectation that women should be repelled by anything too ugly, too violent. "
Laura van den Berg
Anything
Ugly
Expectation
" When I first left Florida for Boston, I was so eager to shed my Floridian identity, perhaps some of my earlier surreal gestures felt hollow and unconvincing because they were not rising from the particular brand of the uncanny I knew best. "
Laura van den Berg
Brand
Identity
Boston
" I always tell my students that, in fiction, the opening is a clue to the work's DNA: not only what it is, but what it will become, where it will lead you. "
Laura van den Berg
Always
You
Work
" Being scared by a movie offers a safe catharsis, because the terror is confined to the screen. It's an adrenalin spike, and when I come back down, I feel a bit more leveled. "
Laura van den Berg
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