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" I come from an era where you just build something. Me and Common built what we built from Chicago from scratch. "
No I.D.
Build
Common
Just
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" I was a rapper. The reason I stopped rapping was because I realized that people wanted guys like Puff Daddy. That's not what I do. I quit. That was it. I had to sacrifice for my choice. I said, 'Forget it. I'll be a producer.' Nobody was going to make me do anything. "
No I.D.
People
Choice
Rapper
" If you think about 2Pac, Biggie, and Nas, all of those guys were teenagers or in their early 20s when they got started. Everybody acts like young people have to be silly and lack perspective. Those guys had incredible perspective, and everything that they said was before 25 years old. "
No I.D.
You
Think
Perspective
" Ghostface, when it comes to hip-hop, was one of my favorite rappers and definitely one of my favorites in the Wu-Tang. He's also a really cool dude. "
No I.D.
Dude
Cool
Hip-Hop
" I just want to work on music and make some new stars. I'm not interested in being a star. "
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New
Music
Star
" There's this concept in urban music and lifestyle that money is everything, and I'm just not with it. If it makes money, it doesn't make it good. If it's good, it's good. "
No I.D.
Lifestyle
Music
Urban
" Nas' longevity comes from him having strong lyrical value in his songs, him being more like a poet and improving over time. "
No I.D.
Strong
Time
Value
" Part of my growth as a producer was not just about making beats but also helping in the process of inspiring the song and making the song the center. "
No I.D.
Song
Process
Producer
" For me, the '80s was great because you had Boy George, Michael Jackson, Stevie Wonder, Prince, and Cyndi Lauper. No one put boxes saying this is urban, this is popular, this is underground. It was just good or bad. "
No I.D.
Me
Wonder
Great
" When you really make things that really challenge the status quo or challenge issues, and you do it artistically, and you do it with no fear, people are listening. "
No I.D.
People
You
Listening
" After 'Resurrection,' I was getting calls for people to do work with me, and I was turning it down. "
No I.D.
People
Down
Resurrection
" When I do music, I have a hard time experiencing it like everyone else, because there's so much thought that goes into it. You can sometimes fool yourself into thinking it's better than what it is, which stops me from being creative on the next thing I do. "
No I.D.
Music
Thinking
Yourself
" You make some good music, people are gonna find you. "
No I.D.
People
Music
Some
" If you look before the '90s, you might not find many - if any - albums with multiple producers. It just didn't exist in the history of music. That would have been like Michael Jackson telling Quincy Jones, 'Look man, I know we did well on 'Off The Wall,' but I'm hot now, and I need to see some other producers for 'Thriller.'' "
No I.D.
Know
History
You
" There's not too many one-producer rap albums. There are lot of one-producer rock albums... and country albums. "
No I.D.
Lot
Country
Many
" I take a lot of pride in helping people become great. I think that's an element of being a producer that people don't always take in: They want to be great for themselves, whereas I'd like to be recognized as having helped the most people get over the hump. "
No I.D.
Pride
Want
Great
" When people get to see me interact with the creative giants, they see the perspective and the respect. A lot of times, people don't have that respect, from a music perspective, with the music people. "
No I.D.
Me
Music
People
" If you want to make money, that's great, but if you make great music, you're going to make money anyway. Keep your eyes on making a great product. You don't even have to promote it. "
No I.D.
Music
Money
Great
" I hate filming in the studio. "
No I.D.
Studio
Hate
Filming
" I've never been a mega-star. I'm more of a tastemaker of hip-hop. I try to be more of an ambassador for the era of hip-hop that I came in. "
No I.D.
More
Ambassador
Try
" Most of the greatest albums in the history of music are one producer. It's just a fact. Or one collective. "
No I.D.
Music
History
Greatest
" Sometimes I think albums are so ambitious, they don't stand as bodies of work because you try to achieve so much, and sometimes we need to do less. Say less. "
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Stand
Think
Work
" Hit records create slang, and if you create slang, you get into a broader conversation level. "
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Level
Conversation
Create
" There's so many things that Kanye does that I agree with and disagree with at times. I just say, 'You're in a different place, and what you're doing is experimental. Nobody's been there in hip-hop.' "
No I.D.
Doing
Hip-Hop
Nobody
" I've got a philosophy I call 'no dancing in the end zone.' You score, get back, and run another play. "
No I.D.
Dancing
Run
Philosophy
" I come from a very specific love of hip-hop. I'm saying hip-hop, not rap. That's what saved my life. I carry that badge with a lot of pride and honor, and I really enjoy trying to raise the perception and the bar of what we do. "
No I.D.
My Life
Pride
Honor
" I'm not interested in anything besides making some good music, helping some artists, being an executive. I'm pretty happy with that. "
No I.D.
Pretty
Good
Music
" My entire approach is built on the idea that things can be commercial and artistic. "
No I.D.
Approach
Commercial
Idea
" I don't care whether something makes one dollar or a trillion because guess what? I don't know many happy rich people. And I know a lot of rich people. "
No I.D.
Rich
Care
Dollar
" Trophies or no trophies, we are all just striving to do some really good art and help people's lives with it. "
No I.D.
Help
Good
Art
" I believe that when you really make the best music you can make from your heart, it will transcend all of those stereotypes, color issues, everything, because music is really made for human beings. "
No I.D.
Music
Heart
Color