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" I love creating mysteries, but I am terrible at solving them. "
Laura van den Berg
I Am
Creating
Am
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" I've had a somewhat typical experience in that many of the contemporary writers I was exposed to early on were white and often male. "
Laura van den Berg
Early
Exposed
Many
" I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction. "
Laura van den Berg
Me
You
Work
" I think my favorite horror films are really grounded in human psychology, which is to say I think through sort of extreme dislocations of reality. "
Laura van den Berg
Think
Horror
Human
" As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my own work. In this way, dislocation and precision make total sense to me as a unit. "
Laura van den Berg
Work
Quality
Me
" Like many American readers, I was first introduced to Magda Szabo's work when New York Review Books reissued the Hungarian master's profound and haunting novel 'The Door.' "
Laura van den Berg
New York
American
Door
" Publishing at a young age is not really an indicator of talent. "
Laura van den Berg
Talent
Publishing
Young
" Havana is a uniquely complicated city and contains a great many histories. "
Laura van den Berg
Complicated
City
Many
" Culturally, there is often the expectation that women should be repelled by anything too ugly, too violent. "
Laura van den Berg
Anything
Ugly
Expectation
" In August 2008, I moved with the man who would become my husband from Boston to a cabin in rural North Carolina. "
Laura van den Berg
Man
Husband
Cabin
" I love Javier Marias; I love his novel 'Tomorrow in the Battle Think on Me.' "
Laura van den Berg
Me
Battle
Think
" There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately, what I'm most interested in as a writer is a few notches below the private self. "
Laura van den Berg
World
More
Present
" To a certain degree, I think both self-narrativizing and selective memory are essential survival skills. "
Laura van den Berg
Memory
Think
Degree
" In my own life, I have found grief to be enormously distorting, particularly if it's sudden or extreme in nature. "
Laura van den Berg
My Own
Own
Found
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She
" Holy cow - everything about writing a novel is hard for me. "
Laura van den Berg
Holy
Cow
Everything
" I do not work well when I am in living in a cyclone of panic. I reject actively seeking out destabilization and suffering as a creative model. "
Laura van den Berg
Living
Creative
Work
" It puzzles me when writers say they can't read fiction when they're writing fiction because they don't want to be influenced. I'm totally open to useful influence. I'm praying for it. "
Laura van den Berg
Say
Want
Open
" I lived in Florida until I was 22. "
Laura van den Berg
Florida
Lived
Until
" Children tell themselves stories, engage in self-delusion and fantasy, but those narratives are more evolving than calcified - and with that malleability comes both freedom and danger. "
Laura van den Berg
Children
Tell
Fantasy
" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Laura van den Berg
Street
Boston
Lived
" Fiction accesses a certain kind of truth through artifice. I love to create worlds that operate on their own terms. "
Laura van den Berg
Truth
Create
Kind
" I think we're often guilty of gravitating towards the familiar. Even if we recognize that certain patterns are unsatisfying and destructive, there can still be a comfort in the familiar recognition of a cycle repeating itself. "
Laura van den Berg
Think
Recognition
Guilty
" If we can think of a place, the physicality of a place, as a kind of 'material,' I would say the landscape of Florida in particular was especially important while writing 'Isle.' "
Laura van den Berg
Landscape
Place
Writing
" I love many realists but very strongly resist the notion that realism presents a less stylized, more authentic version of the world. "
Laura van den Berg
Realism
Less
World
" The moment when my husband and I clasped hands and turned from our officiant, newly wed, was the most light-filled of my life. "
Laura van den Berg
My Life
Life
Moment
" If I leave the fictional world for too long, it's a bit like stepping through a portal, entering another reality, and then not knowing how to get back to where you were before. "
Laura van den Berg
Not Knowing
World
Reality
" I am temperamentally drawn to work that shoves the strange and normal against one another, it's true, although I don't see the 'strange' and the 'normal' as being two separate categories of experience; for me, they are intertwined, hard to separate. "
Laura van den Berg
True
Experience
I Am
" Whether it's via the monstrous or the paranormal, horror actually can really get at some of the most fundamental human questions. "
Laura van den Berg
Horror
Some
Questions
" Children exist in the worlds that adults create for them, both locally and globally, and their options are, by virtue of age, often painfully limited. "
Laura van den Berg
Options
Create
Age
" When I was in grad school, my husband and I used to house sit for a couple in Harvard Square, so we have these amazing memories of great Cambridge summers. "
Laura van den Berg
Great
House
Memories