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" I love Javier Marias; I love his novel 'Tomorrow in the Battle Think on Me.' "
Laura van den Berg
Me
Battle
Think
Related Quotes:
" Sometimes we talk about memory as though it's firm and fixed, but of course, memory is highly fluid and subjective and thus highly subject to manipulation. "
Laura van den Berg
Talk
Memory
Manipulation
" I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process; subject; ideas and feelings; visions and dreams; the words that are put down and the words that are avoided. "
Laura van den Berg
Ideas
Dreams
Words
" I think, in a lot of ways, if you really strip down some of the most compelling novels, in a lot of ways, they're detective stories. "
Laura van den Berg
Down
You
Think
" I once took a workshop with Jim Shepard, and he has this term, 'rate-of-revelation,' that has come to mean a lot to me: 'the pace at which we're learning crucial emotional information about the stories' central figures.' An ever-increasing rate-of-revelation is good; a stagnant r-of-r is not. "
Laura van den Berg
Good
Learning
Mean
" The short story has been here and is here and will be here as long as we are. "
Laura van den Berg
Short
Long
Here
" I tend to be drawn to characters who are not rule followers, who behave in unexpected and unusual ways. "
Laura van den Berg
Unexpected
Rule
Followers
" I realized that, for me, travel for work - I'm not speaking so much about travel for pleasure - had actually become a way of avoiding life. "
Laura van den Berg
Pleasure
Way
Work
" In the world of the American creative writing workshop, I've encountered teachers who are tempted to place, or have actually placed, a moratorium on child narrators. Students love to write them, but children come laden with complications. "
Laura van den Berg
World
Child
Children
" If I leave the fictional world for too long, it's a bit like stepping through a portal, entering another reality, and then not knowing how to get back to where you were before. "
Laura van den Berg
Not Knowing
World
Reality
" Here's something a little more personal: In my teens, I was having a hard time and ended up in a therapy group of young women, some of whom had endured terrible childhood traumas. "
Laura van den Berg
Time
Childhood
Young
" I've always found the Write-What-You-Know axiom small and stifling. "
Laura van den Berg
Small
Always
Axiom
" Publishing at a young age is not really an indicator of talent. "
Laura van den Berg
Talent
Publishing
Young
" Not long after watching 'The Passenger,' I wrote the first lines of 'The Isle of Youth,' which concerns twin sisters who swap identities and become ensnared in the Miami underworld. "
Laura van den Berg
Youth
Become
Watching
" 'Find Me' I think, is brooding in a very literal sense of the word in that you have all of these sort of interior storm that's growing within Joy over the course of the book and leading her to her moment. And certainly, I think there's an aspect of the supernatural. "
Laura van den Berg
Storm
Book
Joy
" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Laura van den Berg
Street
Boston
Lived
" There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately, what I'm most interested in as a writer is a few notches below the private self. "
Laura van den Berg
World
More
Present
" Youth is such a fascinating and volatile concoction of vulnerability, dependence, restlessness, relentlessness. You're still learning the terms of the world and of the self, in a very immediate way. "
Laura van den Berg
You
World
Learning
" I know some writers that have a million novel ideas, but I don't. "
Laura van den Berg
Million
Know
Ideas
" I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach. "
Laura van den Berg
Teach
House
Horror
" We're all trying to figure out on a daily basis what kind of person to be, aren't we? I am, at least. "
Laura van den Berg
Person
Kind
I Am
" I've had a somewhat typical experience in that many of the contemporary writers I was exposed to early on were white and often male. "
Laura van den Berg
Early
Exposed
Many
" When I'm working on a short story, I could duck into a bathroom at a crowded party and write a scene, which is to say I can work in a very incremental way. "
Laura van den Berg
Party
Say
Duck
" I'm such a first-person writer. "
Laura van den Berg
First-Person
Writer
" When I'm absorbed in a work of fiction, time and place melts away, as though I've drifted away from my usual reality and been absorbed into another. "
Laura van den Berg
Been
Away
Reality
" When I first left Florida for Boston, I was so eager to shed my Floridian identity, perhaps some of my earlier surreal gestures felt hollow and unconvincing because they were not rising from the particular brand of the uncanny I knew best. "
Laura van den Berg
Brand
Identity
Boston
" I am an incorrigible eavesdropper, so I am very much influenced by what I hear. "
Laura van den Berg
Hear
I Am
Am
" When I was in grad school, my husband and I used to house sit for a couple in Harvard Square, so we have these amazing memories of great Cambridge summers. "
Laura van den Berg
Great
House
Memories
" I lived in Florida until I was 22. "
Laura van den Berg
Florida
Lived
Until
" In fiction, we are not bound by social convention, so the things that mystify and unsettle are allowed to rise to the surface. "
Laura van den Berg
Rise
Fiction
Social
" As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my own work. In this way, dislocation and precision make total sense to me as a unit. "
Laura van den Berg
Work
Quality
Me