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" I was someone who believed that every day should be different from the last. "
Claire Messud
Day
Someone
Every Day
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" When you move around a lot, there are little bits of you from everywhere. I mean, my father's French, and I speak French, and there's a kind of struggle in me that says, 'I'd like to be French.' But I've never been fully part of that culture, that role. "
Claire Messud
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" The feeling I had several times in youth, when lying in a field staring up at the night sky, that I might fall into the infinite void - for people like me, this idea mostly provokes anxiety. "
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" A painting lets us know how somebody literally saw things. A piece of music is another language that transmits a whole wealth of emotion and wordless experience. But writing is special in the way at allows us to temporarily enter another person's world, to step outside the boundaries of our own time and space. "
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" In a globalised world, so many of us move around so much. You lose things, but you also gain things - or hope to gain them. "
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" The more accurately one can illuminate a particular human experience, the better the work of art. "
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" Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?' "
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" If people like something you've done - or don't like it - this shouldn't determine what you write or how you write it. Those are two separate things entirely: your work and the world's response to it. "
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" I always feel as though I'm not quite Canadian enough for everybody. "
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Enough
Everybody
" An abiding preoccupation for me is how much of our lives are invisible and unknown by other people, like the Chekhov story 'The Lady With the Little Dog.' "
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Unknown
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" I'm a big believer in the complex realities of young people's lives. "
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" For those of us whose thoughts digress; for whom unexpected juxtapositions are exhilarating rather than tiresome; who aim, if always inadequately, to convey life's experience in some semblance of its complexity - for such writers, the semi-colon is invaluable. "
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" You can't make a character do something they wouldn't do. "
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Something
You
" I have said it somewhere - our literary lived lives are as important as our literally lived lives. "
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Somewhere
Important
Lived
" Writing with kids is an adventure. It seems like someone always has the flu or pink-eye. I mean, you don't even have to be in direct contact with anyone to get pink-eye. But for parents who write, flexibility becomes essential, and as long as I have a pad of paper and a pen, I can write anywhere. Starbucks is fine. "
Claire Messud
Writing
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Parents
" I feel that I have an impractical and deleterious snobbery about the relation of literature to the market. I thought, 'I've become the kind of crap you buy at airports!' It was exciting, but it was not a fantasy I'd ever had. "
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" I'd wish for my work to be remembered rather than myself. "
Claire Messud
Rather
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" What is the truth? Is it what you experience? Is it what I experience? Or is there some objective truth in between? "
Claire Messud
Experience
You
Truth Is
" This sense in which so much of who we are doesn't break the surface - our knowability to one another is always something I like to explore. "
Claire Messud
Who
Always
Break
" For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you thought, 'I'm going to write plays. I'm going to be president. I'm going to do this; I'm going to do that.' And then it all falls apart. "
Claire Messud
Ambition
Thought
Freedom
" There's this moment when kids realize that they have power and that they can use it. "
Claire Messud
Realize
Kids
Moment
" We are all unappealing. It is just a matter of how much we let people see it. "
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How
See
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" Don't go around asking the question, 'Is this character likeable?' and expect that to be compatible with serious literary endeavours. That's not what it's about. "
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Go
" We read to find life, in all its possibilities. "
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" Place and displacement have always been central for me. A type of insecurity goes with that: you are always following the cues, like learning the dance steps when the dance is already under way. "
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Learning
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" I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman. "
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" I feel as though there's a lot invested in my background in being an outsider. "
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Background
" For me, the watershed was Hurricane Katrina. If that didn't get people out on the streets, then what will? "
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Hurricane
" I actually did work and produced two short dissertations, one on Faulkner and one on the film criticism of the stream-of-consciousness novelist Dorothy Richardson. "
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Work
Two
Did
" At the end of the day, what would be a Canadian sensibility? Is it Michael Ondaatje? Alice Munro? Is Margaret Atwood more Canadian than Neil Bissoondath? "
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" I've never been very practical or realistic - I've always felt that if a project seems easy, or even attainable, why pursue it? "
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