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" When I was making 'Bourne Identity,' I wasn't making a dumb action movie like they were expecting it to be. "
Doug Liman
Dumb
Like
Identity
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" Artistic mediums go through phases where progress happens really rapidly, and then other moments where it slows down. "
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" I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies. "
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" I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. "
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Career
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" That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits. "
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Style
Why
Identity
" My characters in my movies are all flawed. You'll probably never see Tom Hanks in a Doug Liman film. He plays, you know, very earnest and unflawed. "
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See
Movies
Know
" The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money. "
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People
Money
Heart
" Amazon may be the only studio that's run by people who come out of making independent movies, real hands-on moviemaking. "
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People
Run
Real
" I've got a short attention span, so it makes sense that I like movies because, for the most part, they immerse you in lots of action. "
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Movies
Short
Action
" We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies. "
Doug Liman
Why
Movies
Love
" I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. "
Doug Liman
Know
Right
Fault
" I don't think I'm all that twisted in my life. I'm not like some tattooed filmmaker who, you know, hangs out on the Lower East Side and is part of some satanic cult or something. "
Doug Liman
Life
Think
Twisted
" More of 'The Bourne Identity's script was taken from the events of the Iran Contra, which my father investigated for the Senate, than what was taken from Robert Ludlum's novel. "
Doug Liman
Events
Father
Identity
" I went to USC film school, briefly, which is a very traditional film school. "
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Film
School
Which
" I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.' "
Doug Liman
Thought
Me
Storytelling
" So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France. "
Doug Liman
Imagination
Growing Up
Cool
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
Doug Liman
Process
Budget
Creative
" I like to keep my options open. I'm known for changing my mind. "
Doug Liman
Mind
Changing
Like
" I subscribe to the school that there are no dumb questions. "
Doug Liman
Subscribe
School
Dumb
" I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts. "
Doug Liman
You
Time
Problems
" From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it. "
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View
World
Done
" My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters. "
Doug Liman
Down
Looking
View
" I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. "
Doug Liman
Doing
Efficiency
Fast
" I've always been interested in giving the audience a first-person experience in my movies. "
Doug Liman
Experience
Giving
Audience
" Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans. "
Doug Liman
Enthusiasm
Fans
Better
" One thing about pushing yourself outside your comfort zone is that you're going to make mistakes, and you're going to fall flat on your face sometimes. "
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Yourself
Comfort Zone
Fall
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
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Power
Hero
Movies
" To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it. "
Doug Liman
Thought
People
Content
" I'm really attracted to anti-heroes, and I'm a little bit of a troublemaker myself, and a little bit of a rule-breaker, and I like spies. "
Doug Liman
Little
Myself
Attracted
" 'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in a big studio film. "
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View
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" When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it. "
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Fighting
You
War