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" I've always had antiheroes in my film. "
Doug Liman
Always
Had
Film
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" I've got a short attention span, so it makes sense that I like movies because, for the most part, they immerse you in lots of action. "
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" When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise. "
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" My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.' "
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" I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. "
Doug Liman
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" I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. "
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" People don't talk about how hard it is to make a movie. Nobody does. Ever. "
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" When I read the script of 'The Wall,' I saw how much different the war looks from the point of view of a soldier fighting it. "
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Wall
View
War
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
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Back
Look
Me
" I don't really make movies with an intention other than asking myself, 'Do I love the character, and do I love the story?' "
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Movies
Story
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" I populated 'The Bourne Identity' with real characters from American history, specifically characters from the Iran-Contra affair, which my father ran the investigation of. But at the heart of it was a fictional character. "
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Heart
History
Real
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
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Work
Think
Movies
" Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR. "
Doug Liman
I Am
Trying
Watching
" The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a safe investment, I benefit from that on many levels. "
Doug Liman
Love
Me
World
" I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.' "
Doug Liman
Cruise
Going
Like
" I had one scene in 'Invisible' with 12 actors delivering dialog at the same time. "
Doug Liman
Time
Invisible
Same
" I feel like, Barry Seal, he's pure of heart. "
Doug Liman
He
Heart
I Feel Like
" It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for. "
Doug Liman
Process
Little
Up
" On 'Edge of Tomorrow,' we discovered that movie while we were making it. "
Doug Liman
Movie
Edge
Making
" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
Doug Liman
Respect
Friends
Play
" The way I see it, the expensive people who get hired when you have money are the fancy people who tell you what you can't do. "
Doug Liman
Tell
You
Way
" When you have films like 'Bourne' that succeed, not only does it beget sequels, but it begets people taking chances. "
Doug Liman
Taking
Succeed
You
" When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all. "
Doug Liman
Father
Home
Serious
" I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.' "
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Movies
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" In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him. "
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Identity
Style
Better
" I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. "
Doug Liman
Know
Right
Fault
" Even more than 'Swingers,' 'Go', for me, defines my career. "
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Than
More
Career
" I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.' "
Doug Liman
Thought
Me
Storytelling
" I'm really attracted to anti-heroes, and I'm a little bit of a troublemaker myself, and a little bit of a rule-breaker, and I like spies. "
Doug Liman
Little
Myself
Attracted
" To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it. "
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" 'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.' "
Doug Liman
Tomorrow
Hero
Impossible