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" Some of the kimonos took as long as four to five months to make, with all the layers that go into it. "
Colleen Atwood
Five
Long
Some
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" In real life, a lot of people at that level will have their kimonos made especially for them. "
Colleen Atwood
Will
Real
Lot
" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" I've always loved movies, art and clothes. "
Colleen Atwood
Loved
Movies
Clothes
" Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. "
Colleen Atwood
Makeup
You
Perception
" Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses. "
Colleen Atwood
Fashion
Research
Design
" The costumes had to serve the choreography. "
Colleen Atwood
Costumes
Had
Serve
" It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth. "
Colleen Atwood
Men
Costumes
Good-Looking
" Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie. "
Colleen Atwood
Work
Challenge
Action
" I get more distracted by hair or a really bad wig than I do costumes any day of the week. "
Colleen Atwood
Bad
Hair
More
" I think a lot of young girls go through that period in their life of finding who they are, and at that point, looking good matters the most. "
Colleen Atwood
Finding
Think
Looking
" The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired. "
Colleen Atwood
Today
Eyes
Gone
" People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume. "
Colleen Atwood
You
Fashion
People
" Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are. "
Colleen Atwood
First Impression
Open
You
" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
Colleen Atwood
Inside
Loved
Beautiful
" One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. "
Colleen Atwood
Think
People
Design
" It's fun conjuring what people will be wearing in the future. We exist in this world today, and yet there are people walking around who still look like they're in the '60s. "
Colleen Atwood
World
Today
Fun
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing. "
Colleen Atwood
Loved
Small
Parents
" It's true that I'm not cozy. I'm more reserved. "
Colleen Atwood
Cozy
True
Reserved
" Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work. "
Colleen Atwood
Diversity
Detail
Love
" My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space. "
Colleen Atwood
Treat
Work
Negative
" Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles. "
Colleen Atwood
Trying
Suit
Class
" I always loved clothes, just not clothes that were appropriate to the place I grew up in. "
Colleen Atwood
Always
Up
Place
" I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. "
Colleen Atwood
You
Character
Design
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" The right costume determines the character, helps the actor feel who he is, and serves the story. "
Colleen Atwood
Character
Story
Right
" The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me. "
Colleen Atwood
Beautiful
Ideas
Great
" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span. "
Colleen Atwood
Think
Beautiful
Fashion
" As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong? "
Colleen Atwood
You
Doing
Law