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" My grandfather had Alzheimer's. He would eat everything and anything that was around; then he wouldn't remember that he ate it and would demand to be fed again. "
Hirokazu Kore-eda
Eat
Everything
Grandfather
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" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "
Hirokazu Kore-eda
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" If my films did better at the box office in Japan, it would be easier to get them made. "
Hirokazu Kore-eda
Made
Japan
Easier
" When I was a child, I loved making stories, so I thought maybe I would be a novelist. "
Hirokazu Kore-eda
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Child
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" Maybe family is an eternal subject for me. "
Hirokazu Kore-eda
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Subject
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" When I am 60 or 70, I am sure I can still continue to make films on families. "
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I Am
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" A lot of people, especially Japanese, come to the theater to have a good cry. "
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" I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human nature. "
Hirokazu Kore-eda
Believe
Human Nature
I Believe
" I would say that 'After the Storm' is much more informed by my personal life than my other movies. "
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Life
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" With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set. "
Hirokazu Kore-eda
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Distance
" I watch 'Electronic Boy' faithfully every week - not because I like the show but because I'm interested in where the smartest T.V. producers and directors are going, what direction they are headed in. "
Hirokazu Kore-eda
Like
Direction
Boy
" Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia. "
Hirokazu Kore-eda
Tokyo
Wonderful
Most
" Japanese feel an intimacy with the dead, at least for people up to my generation. "
Hirokazu Kore-eda
Feel
Dead
People
" I think a lot of Japanese morals are built around what the dead would think of us. "
Hirokazu Kore-eda
Dead
Around
I Think
" The children in 'Nobody Knows' had a resonance with me. The children are projections of myself. "
Hirokazu Kore-eda
Me
Myself
Had
" In the eighties, there was a huge shift in the humor of Japanese television. Up until then, the humor was garnered by people who said humorous things, but in the '80s, it was garnered by people who were being laughed at while the audience watches and watches. "
Hirokazu Kore-eda
Television
Watches
Humor
" I am hopeful that films can connect people who are in conflict in a separated world. "
Hirokazu Kore-eda
World
Conflict
Connect
" My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films. "
Hirokazu Kore-eda
Busy
Watch
Work
" 'Like Father, Like Son' gave me the opportunity to show when it is not good with a father. "
Hirokazu Kore-eda
Show
Opportunity
Me
" I have been told that... time doesn't flow in a straight line in my films. It goes round in a circle. Sometimes people comment that the films remind them of Ozu. Maybe that's right. But in Japan, nobody comments on how time passes in my films. So perhaps that is a different way of thinking. "
Hirokazu Kore-eda
Circle
Thinking
Time
" A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we lose all hope for cinema to ignite a richer conversation. "
Hirokazu Kore-eda
Hope
Lose
Cinema
" Sometimes when you watch children, you feel that they show emotions that you, as an adult, can relate to. "
Hirokazu Kore-eda
You
Feel
Sometimes
" When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director. "
Hirokazu Kore-eda
Job
Honorable
Director
" When I have been told that my films remind people of Ozu, I have never been too convinced. "
Hirokazu Kore-eda
Remind
Been
Films
" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
Less
People
Interested
" We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father, so she couldn't find the time to cook nice meals. So we ate more modern food: a lot of frozen and instant food. But I never complained about it to my mother. "
Hirokazu Kore-eda
Time
Father
Food
" I never want to be the all-knowing god of the story, manipulating what's to happen or the action. "
Hirokazu Kore-eda
God
Never
Story
" When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving. "
Hirokazu Kore-eda
Child
Just
Dialogue
" There's a difference between people being free and the atmosphere of 'freedom.' "
Hirokazu Kore-eda
People
Being
Difference
" The Japanese don't have a specific religion, but a spirituality. A cap, shoes, and a table have a spirituality. When you eat an apple, you don't say you eat it: you say, 'I am receiving it.' Kind of like you are thanking the food. "
Hirokazu Kore-eda
Shoes
You
Food
" Directing while overcoming differences of language and culture is a stimulating challenge. "
Hirokazu Kore-eda
Language
Culture
Challenge