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" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "
Hirokazu Kore-eda
People
Want
Values
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" There was a time when I thought Kim Novak was the sexiest woman in the world. "
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World
Thought
Sexiest
" We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father, so she couldn't find the time to cook nice meals. So we ate more modern food: a lot of frozen and instant food. But I never complained about it to my mother. "
Hirokazu Kore-eda
Time
Father
Food
" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
Less
People
Interested
" I'm so entranced by what unfolds in front of the camera. It seems wonderfully out of my control. "
Hirokazu Kore-eda
Control
Seems
Front
" I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human nature. "
Hirokazu Kore-eda
Believe
Human Nature
I Believe
" With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set. "
Hirokazu Kore-eda
Camera
Create
Distance
" When I am 60 or 70, I am sure I can still continue to make films on families. "
Hirokazu Kore-eda
Make
I Am
Continue
" You only get back what you are prepared to put in. "
Hirokazu Kore-eda
Get
Back
Prepared
" The Japanese don't have a specific religion, but a spirituality. A cap, shoes, and a table have a spirituality. When you eat an apple, you don't say you eat it: you say, 'I am receiving it.' Kind of like you are thanking the food. "
Hirokazu Kore-eda
Shoes
You
Food
" My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films. "
Hirokazu Kore-eda
Busy
Watch
Work
" Reflecting on the past, where the film industry became united with 'national interest' and 'national policy,' I tend to think that keeping a clear distance from government authority is the right thing to do. "
Hirokazu Kore-eda
Think
Past
Government
" I particularly relate to the films of Mikio Naruse and Shinichi Kamoshita, a person whose work I watched very much as a child, a director of family dramas for television. "
Hirokazu Kore-eda
Work
Child
Family
" When I watch an actress say a line, I watch how they deliver the lines with gestures. "
Hirokazu Kore-eda
Actress
Watch
Line
" When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving. "
Hirokazu Kore-eda
Child
Just
Dialogue
" I watch 'Electronic Boy' faithfully every week - not because I like the show but because I'm interested in where the smartest T.V. producers and directors are going, what direction they are headed in. "
Hirokazu Kore-eda
Like
Direction
Boy
" There's a difference between people being free and the atmosphere of 'freedom.' "
Hirokazu Kore-eda
People
Being
Difference
" A lot of people, especially Japanese, come to the theater to have a good cry. "
Hirokazu Kore-eda
Japanese
People
Lot
" Japanese society doesn't have a god - no absolute presence. "
Hirokazu Kore-eda
God
Japanese
Presence
" I am very happy that Japanese film can cross borders. "
Hirokazu Kore-eda
Am
I Am
Happy
" When making documentaries, the most important thing I learned was to listen, observe gestures and facial expressions. "
Hirokazu Kore-eda
The Most Important
Important
Listen
" Privacy is not really a concept in Japan. "
Hirokazu Kore-eda
Privacy
Really
Japan
" My grandfather had Alzheimer's. He would eat everything and anything that was around; then he wouldn't remember that he ate it and would demand to be fed again. "
Hirokazu Kore-eda
Eat
Everything
Grandfather
" I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read. "
Hirokazu Kore-eda
Time
Fan
Long Time
" Directing while overcoming differences of language and culture is a stimulating challenge. "
Hirokazu Kore-eda
Language
Culture
Challenge
" The vividness of children is easier to see when they're completely left to their own devices. "
Hirokazu Kore-eda
See
Children
Left
" A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we lose all hope for cinema to ignite a richer conversation. "
Hirokazu Kore-eda
Hope
Lose
Cinema
" 'Like Father, Like Son' gave me the opportunity to show when it is not good with a father. "
Hirokazu Kore-eda
Show
Opportunity
Me
" As the Japanese family gets more and more atomized, grandparents don't live with the nuclear family, so parents of children can't consult with their own parents about how to raise their children and rely on that to help raise them. "
Hirokazu Kore-eda
Family
Help
Live
" My mother was really against it when I said I wanted to make films. She said that I should be a civil servant because that was safe, and it had security. But my mother was always very proud of my movies and would give videocassettes of them to all the neighbours. "
Hirokazu Kore-eda
Security
She
Mother
" Japanese feel an intimacy with the dead, at least for people up to my generation. "
Hirokazu Kore-eda
Feel
Dead
People