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" There's a difference between people being free and the atmosphere of 'freedom.' "

Hirokazu Kore-eda

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" When I was a child, I loved making stories, so I thought maybe I would be a novelist. "

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" I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. "

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" Japanese society doesn't have a god - no absolute presence. "

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" All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he was younger. It really irritated me, and I told them they had to sort things out between themselves. Looking back on that, I see that it was really cold of me as a son. "

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" I never want to be the all-knowing god of the story, manipulating what's to happen or the action. "

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" When I watch an actress say a line, I watch how they deliver the lines with gestures. "

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" My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films. "

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" When you make a documentary, you have to adapt to what reality imposes upon you. "

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" I'm less interested in death itself than in people whose lives are touched by it. "

Hirokazu Kore-eda

" We can see loss as something missing, but that missing space can be filled with something else, and that creates healing. "

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" Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia. "

Hirokazu Kore-eda

" We learn many things from children, always. "

Hirokazu Kore-eda

" The vividness of children is easier to see when they're completely left to their own devices. "

Hirokazu Kore-eda

" Reflecting on the past, where the film industry became united with 'national interest' and 'national policy,' I tend to think that keeping a clear distance from government authority is the right thing to do. "

Hirokazu Kore-eda

" My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but she was always watching their movies on TV. "

Hirokazu Kore-eda

" As a son and as a father, there are still various things that I haven't done as well as I should have - that's my dilemma and regret. "

Hirokazu Kore-eda

" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "

Hirokazu Kore-eda

" When I am 60 or 70, I am sure I can still continue to make films on families. "

Hirokazu Kore-eda

" You only get back what you are prepared to put in. "

Hirokazu Kore-eda

" When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving. "

Hirokazu Kore-eda

" My father did not have a lot of security in his life. He did odd jobs. He had a real struggle to make money. He lost a lot of time in his 20s, after the war, because he was sent to a forced-labour camp in Siberia. "

Hirokazu Kore-eda

" There was a time when I thought Kim Novak was the sexiest woman in the world. "

Hirokazu Kore-eda

" Yes, a family is interesting. You can get a lot of drama in the conflicts there. It's like the sea. It seems calm, but inside there is conflict. "

Hirokazu Kore-eda

" My mother was really against it when I said I wanted to make films. She said that I should be a civil servant because that was safe, and it had security. But my mother was always very proud of my movies and would give videocassettes of them to all the neighbours. "

Hirokazu Kore-eda

" Japanese feel an intimacy with the dead, at least for people up to my generation. "

Hirokazu Kore-eda

" The children in 'Nobody Knows' had a resonance with me. The children are projections of myself. "

Hirokazu Kore-eda

" I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones. "

Hirokazu Kore-eda

" Maybe family is an eternal subject for me. "

Hirokazu Kore-eda

" Privacy is not really a concept in Japan. "

Hirokazu Kore-eda

" In terms of film festivals, Cannes is the greatest launch pad. "

Hirokazu Kore-eda