Home
Authors
Tags
App
Get QuoteDark Inspirational Quotes App
" My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films. "
Hirokazu Kore-eda
Busy
Watch
Work
Related Quotes:
" My mother was really against it when I said I wanted to make films. She said that I should be a civil servant because that was safe, and it had security. But my mother was always very proud of my movies and would give videocassettes of them to all the neighbours. "
Hirokazu Kore-eda
Security
She
Mother
" I am very happy that Japanese film can cross borders. "
Hirokazu Kore-eda
Am
I Am
Happy
" Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia. "
Hirokazu Kore-eda
Tokyo
Wonderful
Most
" I grew up without a father. "
Hirokazu Kore-eda
Father
Grew
Up
" I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read. "
Hirokazu Kore-eda
Time
Fan
Long Time
" When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving. "
Hirokazu Kore-eda
Child
Just
Dialogue
" We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father, so she couldn't find the time to cook nice meals. So we ate more modern food: a lot of frozen and instant food. But I never complained about it to my mother. "
Hirokazu Kore-eda
Time
Father
Food
" When I make films, I don't think of any other directors or their work in terms of the rhythm of the editing or the tenor of the performances. "
Hirokazu Kore-eda
Other
Rhythm
Think
" My grandfather had Alzheimer's. He would eat everything and anything that was around; then he wouldn't remember that he ate it and would demand to be fed again. "
Hirokazu Kore-eda
Eat
Everything
Grandfather
" I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones. "
Hirokazu Kore-eda
Nobody
First
Bad
" I particularly relate to the films of Mikio Naruse and Shinichi Kamoshita, a person whose work I watched very much as a child, a director of family dramas for television. "
Hirokazu Kore-eda
Work
Child
Family
" All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he was younger. It really irritated me, and I told them they had to sort things out between themselves. Looking back on that, I see that it was really cold of me as a son. "
Hirokazu Kore-eda
Son
Looking Back
Father
" When you make a documentary, you have to adapt to what reality imposes upon you. "
Hirokazu Kore-eda
Adapt
Reality
Documentary
" With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set. "
Hirokazu Kore-eda
Camera
Create
Distance
" I would say that 'After the Storm' is much more informed by my personal life than my other movies. "
Hirokazu Kore-eda
Life
Movies
Storm
" In terms of film festivals, Cannes is the greatest launch pad. "
Hirokazu Kore-eda
Festivals
Film
Pad
" I have been told that... time doesn't flow in a straight line in my films. It goes round in a circle. Sometimes people comment that the films remind them of Ozu. Maybe that's right. But in Japan, nobody comments on how time passes in my films. So perhaps that is a different way of thinking. "
Hirokazu Kore-eda
Circle
Thinking
Time
" My father did not have a lot of security in his life. He did odd jobs. He had a real struggle to make money. He lost a lot of time in his 20s, after the war, because he was sent to a forced-labour camp in Siberia. "
Hirokazu Kore-eda
War
Father
Life
" As a son and as a father, there are still various things that I haven't done as well as I should have - that's my dilemma and regret. "
Hirokazu Kore-eda
Well
Done
Father
" A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we lose all hope for cinema to ignite a richer conversation. "
Hirokazu Kore-eda
Hope
Lose
Cinema
" The vividness of children is easier to see when they're completely left to their own devices. "
Hirokazu Kore-eda
See
Children
Left
" You only get back what you are prepared to put in. "
Hirokazu Kore-eda
Get
Back
Prepared
" Maybe family is an eternal subject for me. "
Hirokazu Kore-eda
Family
Subject
Me
" As the Japanese family gets more and more atomized, grandparents don't live with the nuclear family, so parents of children can't consult with their own parents about how to raise their children and rely on that to help raise them. "
Hirokazu Kore-eda
Family
Help
Live
" Hardly anyone says anything real in the courtroom. Almost everything is decided ahead of time, and the truth is found behind the scenes. "
Hirokazu Kore-eda
Truth Is
Truth
Time
" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "
Hirokazu Kore-eda
People
Want
Values
" Directing while overcoming differences of language and culture is a stimulating challenge. "
Hirokazu Kore-eda
Language
Culture
Challenge
" We can see loss as something missing, but that missing space can be filled with something else, and that creates healing. "
Hirokazu Kore-eda
Healing
Else
Loss
" A lot of people, especially Japanese, come to the theater to have a good cry. "
Hirokazu Kore-eda
Japanese
People
Lot
" When I was a child, I loved making stories, so I thought maybe I would be a novelist. "
Hirokazu Kore-eda
Thought
Child
Loved