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" Often, contrasts bring art to life: the bright speck of paint on a dark canvas; the tightrope walk between humor and tragedy. "
Laura van den Berg
Humor
Tragedy
Art
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" I love many realists but very strongly resist the notion that realism presents a less stylized, more authentic version of the world. "
Laura van den Berg
Realism
Less
World
" I think writing, or any form of art-making, is a way to prepare for not being here. Not that we can. No amount of preparing can really ready us, in a meaningful way, for the great void that awaits us all. "
Laura van den Berg
Think
Way
Writing
" I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the relationship to the sentence seems unconsidered or superficial, I have a really hard time reading the work. "
Laura van den Berg
Music
Respect
Work
" Anxiety and doubt are among my biggest struggles as a writer. "
Laura van den Berg
Struggles
Doubt
Anxiety
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She
" It's not easy to craft a novel that gradually erodes the reader's comprehension of the world, of reality and identity and the passage of time. "
Laura van den Berg
Time
Easy
Identity
" America loves a good comeback story! "
Laura van den Berg
Comeback
Story
Good
" A sense of play is important when I'm writing, and so messing around with, say, a magic routine can feel like play, at least initially. "
Laura van den Berg
Play
Magic
Important
" I really need so much time to really make headway on a novel that requires me to disappear from the world in a way. "
Laura van den Berg
Time
Way
Disappear
" In terms of specific cinematic influences, certainly I'd recommend 'Juan de los Muertos,' and I also really love this French zombie movie - 'Les Revenants' - where the dead reanimate for no apparent reason. "
Laura van den Berg
Love
Dead
Where
" Early influences included Lorrie Moore, Amy Hempel, Charles Baxter, Richard Ford, Alice Munro, Denis Johnson - writers who are important to me still and who I discovered through my teachers. "
Laura van den Berg
Teachers
Through
Me
" The past is an open wound, a life force busily shaping an increasingly bewildering present. "
Laura van den Berg
Present
Past
Wound
" The kind of dystopian books that I've always loved the most are the ones where you find yourself in a world that's less scorched-earth and instead a world that has just been made different. "
Laura van den Berg
Yourself
Kind
You
" Holy cow - everything about writing a novel is hard for me. "
Laura van den Berg
Holy
Cow
Everything
" In the world of the American creative writing workshop, I've encountered teachers who are tempted to place, or have actually placed, a moratorium on child narrators. Students love to write them, but children come laden with complications. "
Laura van den Berg
World
Child
Children
" There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately, what I'm most interested in as a writer is a few notches below the private self. "
Laura van den Berg
World
More
Present
" I am temperamentally drawn to work that shoves the strange and normal against one another, it's true, although I don't see the 'strange' and the 'normal' as being two separate categories of experience; for me, they are intertwined, hard to separate. "
Laura van den Berg
True
Experience
I Am
" I love creating mysteries, but I am terrible at solving them. "
Laura van den Berg
I Am
Creating
Am
" In fiction, we are not bound by social convention, so the things that mystify and unsettle are allowed to rise to the surface. "
Laura van den Berg
Rise
Fiction
Social
" I have no problem quitting things, because I have a horror of boredom. "
Laura van den Berg
Problem
Things
Boredom
" Like many American readers, I was first introduced to Magda Szabo's work when New York Review Books reissued the Hungarian master's profound and haunting novel 'The Door.' "
Laura van den Berg
New York
American
Door
" Normally I'm the type who wouldn't bail on a responsibility unless dead on the side of the road, and I believe deeply in the importance of continuing to follow our own paths. "
Laura van den Berg
Believe
Road
Responsibility
" We write in a culture that favors the heft of the novel. Better still if the novel in question is large enough to be wielded interchangeably as a doorstop and a weapon. "
Laura van den Berg
Question
Better
Culture
" I lived in Florida until I was 22. "
Laura van den Berg
Florida
Lived
Until
" Sometimes we talk about memory as though it's firm and fixed, but of course, memory is highly fluid and subjective and thus highly subject to manipulation. "
Laura van den Berg
Talk
Memory
Manipulation
" As we know all too well, our early years are formative in ways it can takes us a lifetime to grasp. Those years leave deep marks; in that way, the stakes of childhood are inherently very high. "
Laura van den Berg
Way
Leave
Childhood
" I once took a workshop with Jim Shepard, and he has this term, 'rate-of-revelation,' that has come to mean a lot to me: 'the pace at which we're learning crucial emotional information about the stories' central figures.' An ever-increasing rate-of-revelation is good; a stagnant r-of-r is not. "
Laura van den Berg
Good
Learning
Mean
" When I'm working on a short story, I could duck into a bathroom at a crowded party and write a scene, which is to say I can work in a very incremental way. "
Laura van den Berg
Party
Say
Duck
" I do not work well when I am in living in a cyclone of panic. I reject actively seeking out destabilization and suffering as a creative model. "
Laura van den Berg
Living
Creative
Work
" Publishing at a young age is not really an indicator of talent. "
Laura van den Berg
Talent
Publishing
Young