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" Serious films for grown-ups - 'Michael Clayton,' 'In the Valley of Elah,' 'A Mighty Heart' - these are big Hollywood films, but they have substance and craft and really beautiful performances. "
Todd Haynes
Beautiful
Serious
Hollywood
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" Films like 'The Godfather,' 'The Exorcist,' 'Klute,' 'Chinatown,' 'Network,' and 'The Parallax View': They were drawn from the genre tradition, but they dressed down the stylistic telling of those traditions and genres. "
Todd Haynes
Dressed
View
Tradition
" It's funny: I don't feel like I have any particular privileged feeling for the Fifties. "
Todd Haynes
Feeling
Any
Like
" I was lucky enough to be exposed to film, art, literature, culture, and then told, 'Yes, you can do that, too.' It's not something that everybody's circumstances allow for. "
Todd Haynes
Art
Enough
Literature
" You have to be somewhat ruthless with your work. You have to let things go. Even your favourite little part might not work in the end. "
Todd Haynes
Work
In The End
Ruthless
" A key part of the process for me is having screenings: not official test screenings, just gatherings of people, some I know and some I don't. We ask what is working and what isn't. So it's not as if I'm shutting out input. "
Todd Haynes
Key
Process
Test
" I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. "
Todd Haynes
Know
Think
Nor
" I'm drawn to female characters; not all of them are strong characters. "
Todd Haynes
Strong
Female Characters
Characters
" They always find new ways of talking about my movies. "
Todd Haynes
Find
Always
Ways
" It's absurd: half the movie audience are women, but Hollywood bosses are still aiming for men who are 20. "
Todd Haynes
Audience
Half
Hollywood
" I saw experimental film-makers teaching in college. They did what they wanted and didn't worry about the market, but the circumstances ended up offering me other possibilities. "
Todd Haynes
Up
College
Me
" All actors are protecting something, in their own way, that happens in front of a camera. "
Todd Haynes
Camera
Happens
Own
" Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life. "
Todd Haynes
Two
Life
Love
" When you're shooting concert scenes in films, we try to bring in, where appropriate, as much of a sense of live performance as possible. "
Todd Haynes
Performance
You
Live
" When you premiere somewhere like Cannes, it's huge. It's nerve-wracking. "
Todd Haynes
Huge
Somewhere
Cannes
" It took an entire generation of critical thinking for Douglas Sirk's films to be really appreciated. "
Todd Haynes
Thinking
Appreciated
Generation
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" With 'Poison,' I'm sure some people just hated the movie, but it also got caught up into a debate about arts funding because it was a film that received a National Endowment for the Arts Public Grant, and it won the prize at the Sundance Film Festival. "
Todd Haynes
People
Some People
Got
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect
" I do think that, yes, one should always be receptive to the fact that there are many different types of audiences, and they are not necessarily in a clean, reductive demographic like they once were. "
Todd Haynes
Clean
Yes
Always
" Like the music and the period, I wanted 'I'm Not There' to be fun and full of emotions, desires and experiments that were thrilling and dangerous. "
Todd Haynes
Fun
Like
Music
" I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Little
First
Kid
" The way I sort of approach my work is that the historical and socioeconomic and cultural worlds that the music is exploring dictate the visual experience and the way that we approach it specifically on film. "
Todd Haynes
Music
Exploring
Experience
" Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there. "
Todd Haynes
See
Point Of View
Love
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" I think camp is a really fascinating thing, and it's hard to define and hard to apply consciously. It's almost something you take from material that's already existed in the world, a reading of the world. But I think it speaks of a long tradition of gay reading of the world, before gays were allowed to be visible. "
Todd Haynes
You
Think
Gay
" I have a hard time making movies that affirm life and say life is a good and happy place. That's not true about the world. "
Todd Haynes
Good
Happy
World
" I figured I would be teaching my whole life and making experimental films on the side. "
Todd Haynes
Whole
Life
Making