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" I saw experimental film-makers teaching in college. They did what they wanted and didn't worry about the market, but the circumstances ended up offering me other possibilities. "
Todd Haynes
Up
College
Me
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" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
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Film
Expect
" At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers. "
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Time
Age
" It's absurd: half the movie audience are women, but Hollywood bosses are still aiming for men who are 20. "
Todd Haynes
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Half
Hollywood
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
Todd Haynes
Experience
Comfort Zone
Yourself
" I do think that, yes, one should always be receptive to the fact that there are many different types of audiences, and they are not necessarily in a clean, reductive demographic like they once were. "
Todd Haynes
Clean
Yes
Always
" They always find new ways of talking about my movies. "
Todd Haynes
Find
Always
Ways
" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" I've been really lucky with critical reaction, overall, even if my films don't often resemble each other. "
Todd Haynes
Each
Lucky
Other
" I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that. "
Todd Haynes
People
Creative
Good
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.' "
Todd Haynes
Place
Think
People
" I value what I learned from being cast in the margins and what that felt like. "
Todd Haynes
Learned
Cast
Being
" I see things about the present more clearly when I'm looking through the frame of the past: I think it's very hard to assess the present moment that we are in. "
Todd Haynes
Moment
Looking
Think
" What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing. "
Todd Haynes
Interesting
Breaking
Down
" I love serial drama. "
Todd Haynes
Drama
Serial
Love
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like
" Every actor comes with their own experience, method, methodology. "
Todd Haynes
Every
Own
Experience
" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
" I'll never forget watching 'I'm Not There' with Cate Blanchett, because it was the first time she saw the finished film and saw her performance in it. I was sitting next to her experiencing it vicariously through her fresh eyes and hoping she liked it. "
Todd Haynes
Time
Sitting
She
" The film division at Amazon is made up of true cineastes who love movies and really want to try and provide opportunity for independent film visions to find their footing in a vastly shifting market. They love cinema. "
Todd Haynes
True
Cinema
Movies
" In high school - that's when I first fell in love with his music and his voice. 'Blonde on Blonde' above everything. I vaguely remember 'Desire' coming out. I definitely remember 'Street Legal' and 'Slow Train Coming.' The first time I saw Dylan was on that tour: '79 in L.A. "
Todd Haynes
Legal
Time
School
" I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint. "
Todd Haynes
Play
Secret
Always
" When you premiere somewhere like Cannes, it's huge. It's nerve-wracking. "
Todd Haynes
Huge
Somewhere
Cannes
" I figured I would be teaching my whole life and making experimental films on the side. "
Todd Haynes
Whole
Life
Making
" A key part of the process for me is having screenings: not official test screenings, just gatherings of people, some I know and some I don't. We ask what is working and what isn't. So it's not as if I'm shutting out input. "
Todd Haynes
Key
Process
Test
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
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