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" I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. "
Todd Haynes
Know
Think
Nor
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" I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. "
Todd Haynes
Together
Alive
World
" I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Little
First
Kid
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" I'm drawn to female characters; not all of them are strong characters. "
Todd Haynes
Strong
Female Characters
Characters
" I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint. "
Todd Haynes
Play
Secret
Always
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" It took an entire generation of critical thinking for Douglas Sirk's films to be really appreciated. "
Todd Haynes
Thinking
Appreciated
Generation
" I'm a lover of cinema, and I don't want that to completely expire. "
Todd Haynes
Lover
Cinema
Expire
" I remember going to see '2001' with my dad. "
Todd Haynes
Dad
See
Remember
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" The film division at Amazon is made up of true cineastes who love movies and really want to try and provide opportunity for independent film visions to find their footing in a vastly shifting market. They love cinema. "
Todd Haynes
True
Cinema
Movies
" I value what I learned from being cast in the margins and what that felt like. "
Todd Haynes
Learned
Cast
Being
" The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people. "
Todd Haynes
Time
People
New
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" I came out of a sort of experimental background, and I didn't ever really expect - or even desire - a career as a feature filmmaker. "
Todd Haynes
Out
Expect
Desire
" I think it remains a film-by-film process, and since I am relatively selective and slow, it can take a while. "
Todd Haynes
Process
Since
Slow
" I've always been interested in visual art and used to be much more into theater when I was younger, or more knowledgeable about what's going on. And literature has played a big part in my life. "
Todd Haynes
Life
Art
Always
" I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Filmmaking
Time
My Own
" All actors are protecting something, in their own way, that happens in front of a camera. "
Todd Haynes
Camera
Happens
Own
" I felt 'Brokeback Mountain' re-imbued the love story with an authentic and unquestionable series of obstacles that these men faced. I think that's certainly true for 'Carol' as well. "
Todd Haynes
Think
Mountain
Love
" Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there. "
Todd Haynes
See
Point Of View
Love
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively. "
Todd Haynes
You
People
Forward
" By the time I finished 'Poison,' the New Queer Cinema was branded, and I was associated with this. In many ways, it formed me as a filmmaker, like as a feature filmmaker I never set out to be. "
Todd Haynes
Time
Never
Poison
" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
" I see things about the present more clearly when I'm looking through the frame of the past: I think it's very hard to assess the present moment that we are in. "
Todd Haynes
Moment
Looking
Think