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" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
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" The bond company comes in if you exceed your costs; they're the insurers of the film. In the worst-case scenario, they take over the production. "
Todd Haynes
You
Over
Your
" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
Todd Haynes
Real Man
Real
Need
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" There were interesting ways that queerness could hide out and get played out pre-Stonewall. It is part of a vast history that is getting forgotten quickly as we trumpet forward into gay marriage and gays in the military and a much different cultural attitude toward gay lives. "
Todd Haynes
Interesting
Marriage
Attitude
" The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party. "
Todd Haynes
Best
Love
Party
" Some directors do recut their films, but I don't if I disagree, and what you suffer is a less passionate marketing campaign, less investment in the film at the other end, which is... fine. I get it. "
Todd Haynes
Investment
Passionate
You
" Like the music and the period, I wanted 'I'm Not There' to be fun and full of emotions, desires and experiments that were thrilling and dangerous. "
Todd Haynes
Fun
Like
Music
" I remember going to see '2001' with my dad. "
Todd Haynes
Dad
See
Remember
" Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life. "
Todd Haynes
Two
Life
Love
" The highest-caliber dramatic work produced for TV - not just in cable but something like 'The Good Wife' at network - is consistently great. "
Todd Haynes
Work
Good
Good Wife
" I do think that, yes, one should always be receptive to the fact that there are many different types of audiences, and they are not necessarily in a clean, reductive demographic like they once were. "
Todd Haynes
Clean
Yes
Always
" Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively. "
Todd Haynes
You
People
Forward
" I love stories of love cropping up unexpectedly in life almost as a problem, as something you don't ask for. Something that messes everything up and makes you rethink everything. "
Todd Haynes
Everything
Life
Love
" I have a hard time making movies that affirm life and say life is a good and happy place. That's not true about the world. "
Todd Haynes
Good
Happy
World
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" When 'Safe' came out, it was treated respectfully but kind of forgotten. Then, by the end of the '90s, it somehow made it onto all these best-of-the-decade lists. "
Todd Haynes
Out
Safe
End
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" A lot of actors just don't seem grown up no matter how old they get... just juveniles with grey hair. "
Todd Haynes
Just
Matter
Old
" 'Mildred' was the first film I shot on Super 16 with Ed Lachman, and we decided to continue doing so for 'Carol.' "
Todd Haynes
Shot
Doing
Continue
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" Every actor comes with their own experience, method, methodology. "
Todd Haynes
Every
Own
Experience
" With 'Carol,' I was just really looking at and thinking about the love story as a genre, not the domestic melodrama. "
Todd Haynes
Thinking
Story
Love
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment. "
Todd Haynes
Moment
Rock
Musicians
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" I was lucky enough to be exposed to film, art, literature, culture, and then told, 'Yes, you can do that, too.' It's not something that everybody's circumstances allow for. "
Todd Haynes
Art
Enough
Literature