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" The movie I end up with is the movie I aspired to make. "
Doug Liman
Aspired
Movie
End
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" I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported. "
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" Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting. "
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" I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. "
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Career
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" When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise. "
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" I was a troublemaker. For a long time, I didn't fit in. "
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" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
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" Almost anything can be justified as a style of filmmaking if it works. "
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" VR is so immersive, and when it works, it draws you into the story in a way that is truly unique and powerful. "
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" I'm really anxious not to repeat what I've done before, to keep pushing and learning. "
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Before
Repeat
" My films have been successful, and therefore, the process has accommodated me. When the studio said 'no,' I did it anyhow. Now they don't say no to me. "
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Me
Successful
Say
" Aaron Taylor-Johnson and John Cena, in 'The Wall,' are superheroes. They're very grounded, but the amount of training and stuff that soldiers bring to the field, they're like Iron Man. "
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Soldiers
Training
Bring
" I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were never going to hire me for a 'James Bond' film off 'Swingers.' "
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Going
Bond
Me
" Antiheroes who are sort of honest to themselves are the ones you root for. Like, Barry Seal isn't trying to be anything other than he is. He isn't fooling anybody per se. "
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Trying
Like
You
" I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does. "
Doug Liman
Sometimes
Hollywood
Reality
" The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a safe investment, I benefit from that on many levels. "
Doug Liman
Love
Me
World
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" There would be no Marvel without 'Swingers'; there would be no Jon Favreau directing 'Iron Man,' no Robert Downey Jr. playing Iron Man; no 'Avengers.' "
Doug Liman
Playing
Man
Iron
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
Doug Liman
Back
Look
Me
" The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same. "
Doug Liman
Work
You
Control
" That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits. "
Doug Liman
Style
Why
Identity
" I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation. "
Doug Liman
Think
Great
Character
" It turns out that it's easier to do politics in a movie. People really don't want it in their TV. "
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People
Out
TV
" One thing about pushing yourself outside your comfort zone is that you're going to make mistakes, and you're going to fall flat on your face sometimes. "
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Comfort Zone
Fall
" Artistic mediums go through phases where progress happens really rapidly, and then other moments where it slows down. "
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Moments
Progress
Go
" In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. "
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Perfect
Love
Heart
" I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.' "
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Movies
Want
Art
" With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things. "
Doug Liman
Time
Be Different
Experience
" I've been really lucky in terms of the people I've gotten to work with. "
Doug Liman
Terms
People
Really
" I'm very interested in politics, and I feel TV is a more political medium than film. "
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Politics
Film
Feel
" There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it. "
Doug Liman
Weird
Intellectual
Filmmaking