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" I understand blackness from the inside out. What my goal is, is to allow the world to see the humanity that I know personally to be the truth. "
Kehinde Wiley
See
Truth
World
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" If art can be at the service of anything, it's about letting us see a state of grace for those people who rarely get to be able to be seen that way. "
Kehinde Wiley
Way
See
Service
" There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible. "
Kehinde Wiley
Be True
Beautiful
Painting
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" If people looked at me like I was a little different, I would maybe sit next to them, and I would draw. "
Kehinde Wiley
Me
Sit
Little
" My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked. "
Kehinde Wiley
Age
Art
Painting
" I thought I'd be a chef by night and paint by day. Now I just have fabulous dinner parties. "
Kehinde Wiley
Chef
Day
Thought
" The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that. "
Kehinde Wiley
President
Ability
Better
" At the core, every artist, no matter what his subject matter happens to be, has to be someone doing the looking. I began to really interrogate the act of looking. "
Kehinde Wiley
Doing
Artist
Looking
" Painting has the ability to communicate something about the sitter that gets to his essence. "
Kehinde Wiley
Ability
Essence
Painting
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" Questlove is an artist who I respect because he constantly shifts within the idiom, challenging perceptions of hip-hop and black American culture. "
Kehinde Wiley
Culture
Black
American
" There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting. "
Kehinde Wiley
You
Cool
Like
" When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy. "
Kehinde Wiley
About
Favourite
Thought
" You don't hire Kehinde Wiley to have a tame painting. "
Kehinde Wiley
Tame
You
Painting
" I came from a background where access to museum culture was rarely granted, and, when you got it, people wondered what the hell you were doing there. "
Kehinde Wiley
People
Hell
You
" There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards. "
Kehinde Wiley
Slavery
Best
Gender
" I've fished everywhere I've traveled. "
Kehinde Wiley
Traveled
Everywhere
" I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my entire life to be able to see the world, to respond to it, and make that my life's work. "
Kehinde Wiley
World
Life
Painting
" Once I get a project in my head, I start getting really obsessive about it. "
Kehinde Wiley
Get
Once
Start
" What's interesting about the 21st century is how people deal with cultural history. We don't necessarily feel like there are discrete categories. We consume it as a complete package, whether it's down the street or on the other side of the globe. "
Kehinde Wiley
Interesting
Street
History
" What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms. "
Kehinde Wiley
Choice
Own
Celebrate
" My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world. "
Kehinde Wiley
Much
World
Production
" I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection. "
Kehinde Wiley
Men
Great
Portrait
" Europe has been a place of refuge. Why should it stop with black and brown bodies? "
Kehinde Wiley
Stop
Black
Europe
" The whole conversation of my work has to do with power and who has it. "
Kehinde Wiley
Work
Conversation
Power
" I grew up in this weird, educationally elite but economically impoverished environment. Total 'Oprah' story. "
Kehinde Wiley
Elite
Environment
Up
" When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective. "
Kehinde Wiley
Learning
Growing Up
Going
" The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside. "
Kehinde Wiley
Identity
Performance
American
" Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. "
Kehinde Wiley
Also
Fashion
Nation
" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated