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" We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies. "
Doug Liman
Why
Movies
Love
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" It turns out that it's easier to do politics in a movie. People really don't want it in their TV. "
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" When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it. "
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" I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.' "
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" I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking. "
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" I was a troublemaker. For a long time, I didn't fit in. "
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" Antiheroes who are sort of honest to themselves are the ones you root for. Like, Barry Seal isn't trying to be anything other than he is. He isn't fooling anybody per se. "
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" I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries! "
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Live
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Action
" People don't talk about how hard it is to make a movie. Nobody does. Ever. "
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How
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Nobody
" I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoing something I did before. For some reason, when it comes to film, I'm very good at not repeating myself. Even though in the rest of my life, I'm constantly repeating my mistakes. "
Doug Liman
Good
Mistakes
My Life
" Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting. "
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I Am
Career
Choices
" With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look. "
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Moments
Control
Challenge
" Aaron Taylor-Johnson and John Cena, in 'The Wall,' are superheroes. They're very grounded, but the amount of training and stuff that soldiers bring to the field, they're like Iron Man. "
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Soldiers
Training
Bring
" I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported. "
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You
Away
Been
" I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were never going to hire me for a 'James Bond' film off 'Swingers.' "
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Going
Bond
Me
" I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies. "
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Got
Thought
Me
" I'll just say that there are certain people who continue to be hired in Hollywood, and that leaves me truly shocked. "
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Hollywood
Say
People
" It causes havoc on set anytime a director wants to go backward rather than forward. "
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Forward
Director
Go
" To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic. "
Doug Liman
Romantic
Believing
Home
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
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Process
Budget
Creative
" I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts. "
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You
Time
Problems
" Almost anything can be justified as a style of filmmaking if it works. "
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Style
Almost
Anything
" My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.' "
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Grow
California
People
" When you have films like 'Bourne' that succeed, not only does it beget sequels, but it begets people taking chances. "
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Taking
Succeed
You
" Amazon may be the only studio that's run by people who come out of making independent movies, real hands-on moviemaking. "
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People
Run
Real
" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
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Respect
Friends
Play
" The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same. "
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Work
You
Control
" When I was making 'Bourne Identity,' I wasn't making a dumb action movie like they were expecting it to be. "
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Dumb
Like
Identity
" Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans. "
Doug Liman
Enthusiasm
Fans
Better
" My films have been successful, and therefore, the process has accommodated me. When the studio said 'no,' I did it anyhow. Now they don't say no to me. "
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Me
Successful
Say