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" When you think of the Cold War, there are various places where you imagine espionage. Espionage crossroads of the Cold War bring you to the backstreets of Berlin, or Vienna. "
Paul Greengrass
Bring
Cold
Places
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" I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think. "
Paul Greengrass
Darkness
Mistake
Courage
" It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental. "
Paul Greengrass
Time
Look
Funny
" Acting is many things, and one is an exercise of will. In any given scene, you're trying to find where the drama and conflict is and then deploy the actors to play at that point of conflict with precision, control, and complete will. "
Paul Greengrass
You
Acting
Conflict
" Making movies is both entirely ludicrous and incredibly hard. It's a preposterous way to spend your time. You give up a lot for the privilege of doing it, and one of the things you get are relationships of immense trust that you see forged in situations of immense stress. "
Paul Greengrass
Time
Stress
Movies
" Ultimately, if you look at all my films from 'Bloody Sunday' on, they're steeped in a post-9/11 atmosphere. 'United 93' is directly about 9/11, of course, but every one of the movies deals with paranoia, mistrust, and fear. "
Paul Greengrass
Fear
Deals
Look
" I'll always see myself as a British filmmaker, powerfully so. "
Paul Greengrass
British
See
Myself
" In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it. "
Paul Greengrass
Trying
Understand
World
" All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it. "
Paul Greengrass
You
Kind
Film
" Why are people saying it's too soon? Like the people on that flight, we need to agree about what to do about terrorism. And I think we need to have that conversation now. "
Paul Greengrass
Now
People
Saying
" Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique. "
Paul Greengrass
Learn
You
Camera
" Making a film, every film, is a big gamble, large or small. The more that you do it, the more you're aware of that. "
Paul Greengrass
Gamble
More
Small
" My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion. "
Paul Greengrass
Energy
Storytelling
Rhythm
" Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too. "
Paul Greengrass
Too
Bright
Horror
" In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real. "
Paul Greengrass
Drama
Feel
Create
" What attracts me to Bourne's world is that is a real world, and I think I'm most comfortable there. But I come to a Bourne movie to have fun as a filmmaker, to strut my stuff, and that's part of the fun of franchise filmmaking. "
Paul Greengrass
Think
World
Fun
" Tom Hanks has built his career playing ordinary men. "
Paul Greengrass
Built
Ordinary
Career
" I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong. "
Paul Greengrass
Journey
Strong
People
" Some filmmakers are more eclectic than others. I'm not one of those! I'm interested in what I'm interested in, which is films about the world, about what's going on. I started in TV documentaries with 'World in Action,' and those interests feed into the films I make now. "
Paul Greengrass
More
Going
Action
" The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean. "
Paul Greengrass
Think
Know
Best
" With a franchise movie, it's got to turn the wheels of the industry, and the studio has to have them. So you start with a release date. They say we're going to make a new 'Bourne' film, and it comes out summer of X. Then they start on a script, and invariably, the script is not ready in time. "
Paul Greengrass
Start
They Say
Time
" No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective. "
Paul Greengrass
Truth Is
Vision
World
" I prize something that feels authentic. It's an undefinable thing, but I know it when I see it, and I think audiences do, too. One of the reasons why 'Bloody Sunday' and 'United 93' work is because they felt real, felt truthful. "
Paul Greengrass
Why
Think
Sunday
" It's a circus life, the movies. It's a lot of travelling, a lot of antisocial hours; there's a lot of it that's about escaping from life. "
Paul Greengrass
Travelling
Circus
Life
" I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to you. It's trial and error and disappointment before you find, slowly but surely, the confidence to express your film-making identity. "
Paul Greengrass
Confidence
Identity
Disappointment
" With the dramatic canvas, I found you could still operate with the documentarist's observational eye. "
Paul Greengrass
You
Canvas
Dramatic
" I just don't get on with institutions. I need simple relationships with people who believe in me. "
Paul Greengrass
Believe
People
Simple
" I am interested in seeing if you can create on film pieces that feel contemporary and urgent. "
Paul Greengrass
Seeing
I Am
Film
" Directing is all tied up with childhood loneliness. It's such an odd thing to end up doing. "
Paul Greengrass
End
Childhood
Up
" Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake. "
Paul Greengrass
Action
Through
Own
" Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine. "
Paul Greengrass
Searching
Matter
Style