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" As a filmmaker, I'm a collaborator first. "
David Leitch
First
Filmmaker
Collaborator
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" People have given their lives to this industry to make movies compelling. "
David Leitch
Industry
People
Movies
" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
David Leitch
Action
Fight
Speed
" I've been doing second unit for years, which is sort of like directing mini movies. Now that I'm directing entire films, it's really just more of everything. There are a lot more questions that need answers. "
David Leitch
Need
Now
Doing
" There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way. "
David Leitch
Story
Action
Better
" As a stunt guy, you become a mini-director. You're talking to actors about performance. "
David Leitch
Talking
Stunt
Become
" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "
David Leitch
Process
Character
Fight
" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "
David Leitch
Way
Hanging
Present
" We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover. "
David Leitch
Retire
Again
Back
" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "
David Leitch
People
Mysterious
Credit
" As a second unit director, you're entrusted to shoot the action sequences. On every movie, it's slightly different. "
David Leitch
Action
Director
Shoot
" I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them. "
David Leitch
Makeup
World
Think
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
David Leitch
Action
Fun
Giving
" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" Spies go undercover. They take on different personas. "
David Leitch
Undercover
Take
Go
" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
David Leitch
Trying
Suits
Rock And Roll
" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
David Leitch
Evil
Love
Fan
" The DNA of 'Deadpool' shouldn't change. "
David Leitch
Change
DNA
" Coming from an action background, I always approach the action sequences in any script as kind of placeholders. "
David Leitch
Coming
Kind
Always
" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "
David Leitch
You
Acting
Dive
" Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance. "
David Leitch
Walk
Chance
Character
" Selling art is a lot different than making it. "
David Leitch
Selling
Than
Art
" You have to make bold choices to be noticed. "
David Leitch
Choices
Make
Noticed
" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
David Leitch
You
Rules
Fun
" Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. "
David Leitch
You
Stunt
Ground
" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
David Leitch
Way
Production
Action
" Music emotionally and psychologically transports you immediately. "
David Leitch
Immediately
Emotionally
Music
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
David Leitch
Fight
Character
You
" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "
David Leitch
Attack
Challenges
Think
" As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity. "
David Leitch
Great
Opportunity
Jump
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity