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" You have to make bold choices to be noticed. "
David Leitch
Choices
Make
Noticed
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" We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover. "
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" Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography. "
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" There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences. "
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" Some actors have an affinity for dance, and they should explore it, train in it, and get good. "
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" If you have John Goodman in your movie, you want to use him as much as possible. "
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" People want to be empowered to the point where they can thwart their enemies physically. "
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" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "
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Partner
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" The character of Cable is complex. "
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Cable
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" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
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" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "
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Process
Character
Fight
" There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way. "
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Story
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Better
" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "
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Attack
Challenges
Think
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
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Character
You
" Selling art is a lot different than making it. "
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Selling
Than
Art
" Music emotionally and psychologically transports you immediately. "
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Immediately
Emotionally
Music
" The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition. "
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You
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Know
" There's a lot of directing within the stunt coordinator's job. "
David Leitch
Lot
Job
Directing
" I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them. "
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Makeup
World
Think
" Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either. "
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Live
World
Treat
" You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe. "
David Leitch
Know
Own
Universe
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
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You
Why
Art
" Spies go undercover. They take on different personas. "
David Leitch
Undercover
Take
Go
" As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity. "
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Great
Opportunity
Jump
" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
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You
Rules
Fun
" Friends who are directors like Jim Mangold or the Wachowskis or Zack Snyder - who, whether they know or not - have really left a mark on who I am as a director. "
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Like
Friends
I Am
" The DNA of 'Deadpool' shouldn't change. "
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Change
DNA
" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "
David Leitch
People
Mysterious
Credit
" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
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Sometimes
Fun
Back
" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "
David Leitch
Hockey
War
Safe
" As a filmmaker, I'm a collaborator first. "
David Leitch
First
Filmmaker
Collaborator