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" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
David Leitch
Action
Fight
Speed
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" As a stunt guy, you become a mini-director. You're talking to actors about performance. "
David Leitch
Talking
Stunt
Become
" There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences. "
David Leitch
Through
Movies
Attitude
" You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe. "
David Leitch
Know
Own
Universe
" I've been really fortunate in my career to do budgets at all different levels. "
David Leitch
Career
Different
Fortunate
" I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them. "
David Leitch
Makeup
World
Think
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity
" The character of Cable is complex. "
David Leitch
Cable
Complex
Character
" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
David Leitch
Evil
Love
Fan
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
David Leitch
You
Why
Art
" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "
David Leitch
Attack
Challenges
Think
" All film, at the end of the day, has wish-fulfillment. "
David Leitch
Day
End Of The Day
End
" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "
David Leitch
Way
Hanging
Present
" There's a lot of directing within the stunt coordinator's job. "
David Leitch
Lot
Job
Directing
" The completely irreverent tone was the thing that won me over about the first 'Deadpool' movie. "
David Leitch
Me
Over
Tone
" You have to make bold choices to be noticed. "
David Leitch
Choices
Make
Noticed
" Choreographing a fight scene is telling a little story. You learn a lot about the characters involved. "
David Leitch
Lot
You
Story
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
David Leitch
Fight
Character
You
" Coming from an action background, I always approach the action sequences in any script as kind of placeholders. "
David Leitch
Coming
Kind
Always
" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
David Leitch
Sometimes
Fun
Back
" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
David Leitch
Trying
Suits
Rock And Roll
" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "
David Leitch
Hockey
War
Safe
" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
David Leitch
You
Rules
Fun
" I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe. "
David Leitch
Think
Franchise
Good
" I've been doing second unit for years, which is sort of like directing mini movies. Now that I'm directing entire films, it's really just more of everything. There are a lot more questions that need answers. "
David Leitch
Need
Now
Doing
" The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition. "
David Leitch
You
More
Know
" People have given their lives to this industry to make movies compelling. "
David Leitch
Industry
People
Movies
" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "
David Leitch
People
Mysterious
Credit
" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "
David Leitch
Partner
Arts
You
" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
David Leitch
Way
Production
Action