Get QuoteDark Inspirational Quotes App

" As a stunt guy, you become a mini-director. You're talking to actors about performance. "

Related Quotes:

" Spies go undercover. They take on different personas. "

" All film, at the end of the day, has wish-fulfillment. "

" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "

" Selling art is a lot different than making it. "

" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "

" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "

" You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe. "

" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "

" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "

" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "

" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "

" There's a lot of directing within the stunt coordinator's job. "

" In the stunt world, fights and vehicles are often two different disciplines. "

" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "

" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "

" Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography. "

" Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance. "

" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "

" Choreographing a fight scene is telling a little story. You learn a lot about the characters involved. "

" Some actors have an affinity for dance, and they should explore it, train in it, and get good. "

" As a filmmaker, I'm a collaborator first. "

" People want to be empowered to the point where they can thwart their enemies physically. "

" You have to make bold choices to be noticed. "

" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "

" I've been really fortunate in my career to do budgets at all different levels. "

" We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover. "

" People have given their lives to this industry to make movies compelling. "

" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "

" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "

" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "