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" People have given their lives to this industry to make movies compelling. "
David Leitch
Industry
People
Movies
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" Friends who are directors like Jim Mangold or the Wachowskis or Zack Snyder - who, whether they know or not - have really left a mark on who I am as a director. "
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" The DNA of 'Deadpool' shouldn't change. "
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Change
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" As a filmmaker, I'm a collaborator first. "
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" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "
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" As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity. "
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Jump
" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "
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You
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Dive
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
David Leitch
You
Why
Art
" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "
David Leitch
Way
Hanging
Present
" I've been doing second unit for years, which is sort of like directing mini movies. Now that I'm directing entire films, it's really just more of everything. There are a lot more questions that need answers. "
David Leitch
Need
Now
Doing
" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic. "
David Leitch
World
Ideas
Fun
" Spies go undercover. They take on different personas. "
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Undercover
Take
Go
" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
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Evil
Love
Fan
" Selling art is a lot different than making it. "
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Selling
Than
Art
" The character of Cable is complex. "
David Leitch
Cable
Complex
Character
" I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe. "
David Leitch
Think
Franchise
Good
" If you have John Goodman in your movie, you want to use him as much as possible. "
David Leitch
Much
Him
Want
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
David Leitch
Action
Fun
Giving
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
David Leitch
Fight
Character
You
" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
David Leitch
You
Rules
Fun
" Coming from an action background, I always approach the action sequences in any script as kind of placeholders. "
David Leitch
Coming
Kind
Always
" Some actors have an affinity for dance, and they should explore it, train in it, and get good. "
David Leitch
Dance
Some
Train
" Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. "
David Leitch
You
Stunt
Ground
" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "
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Partner
Arts
You
" You have to make bold choices to be noticed. "
David Leitch
Choices
Make
Noticed
" There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way. "
David Leitch
Story
Action
Better
" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "
David Leitch
Process
Character
Fight
" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "
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Attack
Challenges
Think
" The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition. "
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You
More
Know
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity