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" With 'Carol,' I was just really looking at and thinking about the love story as a genre, not the domestic melodrama. "
Todd Haynes
Thinking
Story
Love
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" I think camp is a really fascinating thing, and it's hard to define and hard to apply consciously. It's almost something you take from material that's already existed in the world, a reading of the world. But I think it speaks of a long tradition of gay reading of the world, before gays were allowed to be visible. "
Todd Haynes
You
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" 'Carol' takes place at a time the country was crawling out of the shadows of the war years, feeling the new vulnerabilities of the Cold War and conflicts within the union. "
Todd Haynes
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Place
Feeling
" Serious films for grown-ups - 'Michael Clayton,' 'In the Valley of Elah,' 'A Mighty Heart' - these are big Hollywood films, but they have substance and craft and really beautiful performances. "
Todd Haynes
Beautiful
Serious
Hollywood
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" When 'Safe' came out, it was treated respectfully but kind of forgotten. Then, by the end of the '90s, it somehow made it onto all these best-of-the-decade lists. "
Todd Haynes
Out
Safe
End
" All actors are protecting something, in their own way, that happens in front of a camera. "
Todd Haynes
Camera
Happens
Own
" Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life. "
Todd Haynes
Two
Life
Love
" I love stories of love cropping up unexpectedly in life almost as a problem, as something you don't ask for. Something that messes everything up and makes you rethink everything. "
Todd Haynes
Everything
Life
Love
" I love serial drama. "
Todd Haynes
Drama
Serial
Love
" You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually. "
Todd Haynes
Movie
Work
Director
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" I'm pretty single-minded, unlike a lot of directors who miraculously seem to be holding six projects in their hand at a given time and juggling them accordingly. "
Todd Haynes
Time
Seem
Who
" I've been really lucky with critical reaction, overall, even if my films don't often resemble each other. "
Todd Haynes
Each
Lucky
Other
" I think when I was about 6 or 7, I would have said I wanted to be an actor and an artist. "
Todd Haynes
Think
Artist
I Think
" At HBO, you've just basically got a studio full of artistically driven smart guys and women who really care about the quality first and foremost. "
Todd Haynes
Care
Women
You
" Pop music can get inside us and enter our memory bubbles. It provides those true Proustian moments, unlocking sensations, unlocking our imaginations. Music inspired me as a filmmaker. "
Todd Haynes
Music
True
Me
" My parents are very supportive and proud. "
Todd Haynes
Proud
Supportive
Very
" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" When you premiere somewhere like Cannes, it's huge. It's nerve-wracking. "
Todd Haynes
Huge
Somewhere
Cannes
" A lot of actors just don't seem grown up no matter how old they get... just juveniles with grey hair. "
Todd Haynes
Just
Matter
Old
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect
" My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it. "
Todd Haynes
Know
Creative
Drawing
" Making a film is so scary, and there's such a kind of void that you're working from initially. I mean, you can have all the ideas and be as prepared as possible, but you're also still bringing people together and saying, 'Trust me,' even when you don't necessarily trust every element. "
Todd Haynes
Saying
Ideas
People
" When you think of the later '50s and 'Far From Heaven' and Eisenhower and Sirk, you think of that Hollywood panache and gloss to American middle-class life. "
Todd Haynes
Life
Think
You