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" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
Todd Haynes
Real Man
Real
Need
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" The bond company comes in if you exceed your costs; they're the insurers of the film. In the worst-case scenario, they take over the production. "
Todd Haynes
You
Over
Your
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" There's no better place to do a longform project than HBO. I loved the creative teams I got a chance to work with. "
Todd Haynes
Work
Chance
Creative
" I felt 'Brokeback Mountain' re-imbued the love story with an authentic and unquestionable series of obstacles that these men faced. I think that's certainly true for 'Carol' as well. "
Todd Haynes
Think
Mountain
Love
" Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly distilling that into narrative specifics. "
Todd Haynes
Connections
Create
Random
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. "
Todd Haynes
Together
Alive
World
" I don't think there's any more synesthetic medium than film. "
Todd Haynes
More
Think
Than
" My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it. "
Todd Haynes
Know
Creative
Drawing
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers. "
Todd Haynes
People
Time
Age
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing. "
Todd Haynes
Interesting
Breaking
Down
" It's funny: I don't feel like I have any particular privileged feeling for the Fifties. "
Todd Haynes
Feeling
Any
Like
" My problem on 'Safe' was that when I liked something, I would giggle. "
Todd Haynes
Something
Problem
Safe
" I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint. "
Todd Haynes
Play
Secret
Always
" The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people. "
Todd Haynes
Time
People
New
" I do think that, yes, one should always be receptive to the fact that there are many different types of audiences, and they are not necessarily in a clean, reductive demographic like they once were. "
Todd Haynes
Clean
Yes
Always
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. "
Todd Haynes
Know
Think
Nor
" It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it before. "
Todd Haynes
You
Feel
Kind
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" I value what I learned from being cast in the margins and what that felt like. "
Todd Haynes
Learned
Cast
Being
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" My parents are very supportive and proud. "
Todd Haynes
Proud
Supportive
Very
" I find movies rely upon dialogue too much sometimes, and you lose the power of what really the most basic cinematic language is, which is the visual language. "
Todd Haynes
Language
Find
You