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" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
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" I value what I learned from being cast in the margins and what that felt like. "
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Being
" After 'Superstar,' I was encouraged. I felt audiences wanted to be challenged. "
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Wanted
" The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people. "
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Time
People
New
" I saw experimental film-makers teaching in college. They did what they wanted and didn't worry about the market, but the circumstances ended up offering me other possibilities. "
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College
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" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
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" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
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Experience
Comfort Zone
Yourself
" The highest-caliber dramatic work produced for TV - not just in cable but something like 'The Good Wife' at network - is consistently great. "
Todd Haynes
Work
Good
Good Wife
" I love how 'melodrama' is a denigrated term - a lower-class citizen to other genres. And yet that's what life is, man. "
Todd Haynes
Man
How
Citizen
" I remember going to see '2001' with my dad. "
Todd Haynes
Dad
See
Remember
" My problem on 'Safe' was that when I liked something, I would giggle. "
Todd Haynes
Something
Problem
Safe
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" It took an entire generation of critical thinking for Douglas Sirk's films to be really appreciated. "
Todd Haynes
Thinking
Appreciated
Generation
" My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it. "
Todd Haynes
Know
Creative
Drawing
" Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively. "
Todd Haynes
You
People
Forward
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" There's no better place to do a longform project than HBO. I loved the creative teams I got a chance to work with. "
Todd Haynes
Work
Chance
Creative
" At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers. "
Todd Haynes
People
Time
Age
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" I'm drawn to female characters; not all of them are strong characters. "
Todd Haynes
Strong
Female Characters
Characters
" Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life. "
Todd Haynes
Two
Life
Love
" I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't or are unconscious about, or have certain liberties that are invisible to them. "
Todd Haynes
Relationship
Power
Society
" I don't think there's any more synesthetic medium than film. "
Todd Haynes
More
Think
Than
" You have to be somewhat ruthless with your work. You have to let things go. Even your favourite little part might not work in the end. "
Todd Haynes
Work
In The End
Ruthless
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" There were interesting ways that queerness could hide out and get played out pre-Stonewall. It is part of a vast history that is getting forgotten quickly as we trumpet forward into gay marriage and gays in the military and a much different cultural attitude toward gay lives. "
Todd Haynes
Interesting
Marriage
Attitude
" In a way, I think Roxy Music is high camp, in a brilliant way. "
Todd Haynes
Camp
High
Brilliant
" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
" Like the music and the period, I wanted 'I'm Not There' to be fun and full of emotions, desires and experiments that were thrilling and dangerous. "
Todd Haynes
Fun
Like
Music